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  • Galus, Christiane. Les animaux fluorescents fascinent chercheurs, artistes et militaires Le Monde (October 2000): 1,29.
  • Machado, Arlindo. Por un Arte Transgenic De la Pantalla al Arte Transgenico (2000): 253-260.
  • Manier, Jeremy. Art Takes a Genetic Engineering Leap Chicago Tribune , no. 19 (September 2000): Section 2, p.3.
  • Emmer, Michele. Homage to M.C. Escher Leonardo 33, no. 1 (February 2000).
  • DOMINGUES, DIANA MARIA G. Electronic Art Exhibition catalog In 13th Brazilian Symposium on Computer Graphics and Image Processing, edited by DIANA MARIA G DOMINGUES, 27-28. Caxias do Sul: Lorigraph, 2000.
  • Adriano Abbado has always been interested in non-verbal communication. In 1972 he made his first experiments with photography and environmental sounds. In 1977 he graduated in Electronic Music Composition at the Conservatory of Milan. In 1981 he
  • DOMINGUES, DIANA MARIA G. Interatividade e ritual: diálogos do corpo com os sistemas artificiais Informática na Educação, UFRGS- Porto Alegre 3, no. 1 (2000): 111-120.
  • This installation was mounted in November 2001 in Athens, Greece, during the media@terra event, as a Brazilian representation artist. DOMINGUES, Diana . INS(H)NAK(R)ES. Media@Earth 2000, Athens, p. 37-38, 2000
  • ADA Artist Interview with Suzanne AnkerArchive of Digital Art, September 2021Full text and interview by Carla Zamora on ADA:https://www.digitalartarchive.at/features/featured-artists/featured-artist-suzanne-anker.htmlYou are considered being a
  • This SIGGRAPH SPARKS session will focus on seminal works created by pioneering digital artists from the 1960s to the year 2000, that helped define a new genre.