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Lautriv Chromagnon 1995

...Fischnaller, Franz. Lautriv Chromagnon In Venezia1995, edited by Christine Schoepf Hannes Leopoldseder, 47-48. Palermo, Italy: Editore L´Epos...
Immersive Computer Art and the Making of Consciousness 1999

... and the Making of Consciousness In Reframing Consciousness, edited by Roy Ascott, 32-37. Bristol, Wilmington: Intellect Books, ...
Whats Wrong with this Picture? Presence and Abstraction in the Age of Cyberspace 1997

... Picture? Presence and Abstraction in the Age of Cyberspace edited by Roy AscottlNewport: 1997.
A Arquitectura da Cibercepção 1998

... In Ars Telemática. Telecommunicão, Internet e Ciberespaço, edited by C. H. Gianetti, 163-178. Lisbon: Relógio D’Agua, 1998.
Interactive Art and the Myth of Everything-ness 1994

... 1994: Intelligente Ambiente / Intelligent Environment, edited by Karl Gerbel and Peter WeibelWien: PVS Verleger, 1994.
Art ("and" or "versus") Technology Some Personal Observations 1997

... Technology Some Personal Observations In Art@Science, edited by Sommerer. Christa and Laurent MignonneauNew York, Wien:...
L'architecture de la cyberception 1996

...Roy. L'architecture de la cyberception In Les cinq sens de la création, edited by M. Borillo and A. Sauvageot, 184-194. Seysell: Editions Champ...
Consumer Culture and the Technological Imperative: The Artist in Dataspace 1995

... Artist in Dataspace In Critical Issues in Electronic Media, edited by Simon PennyAlbany, NY: Suny Press, 1995.
High Technology Art 1991

... Art In Digitaler Schein: Ästhetik der elektronischen Medien, edited by Florian RötzerFrankfurt/Main: Suhrkamp, 1991.
Die Medienkunst und der veränderte Werkbegriff 1979

... Werkbegriff In Zur Definition eines neuen Kunstbegriffs, edited by Galerie Krinzinger, 21ff. : 1979.

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