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matrix [for anechoic room]
2000
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2003
JAN 28 - MAY 21, 2000 ICC, Tokyo, JP AUG 23 - SEP 26, 2003 Voormalig Gerechtsgebouw, Utrecht, NL concept, composition: Ryoji Ikeda commissioned by NTT InterCommunication Center (ICC), 2000
Der Digitale Bau. Aktuelle Tendenzen der Raumvisualisierung und ihre Vorläufer
2003
Grau, Oliver. Der Digitale Bau. Aktuelle Tendenzen der Raumvisualisierung und ihre Vorläufer Thesis. Wissenschaftliche Zeitschrift der Bauhaus-Universität Weimar , no. 3 (2003): 112-121.
FELIX BURDA MEMORIAL LECTURES - Interdisziplinäre Vorlesungsreihe LMU München / Iconic Turn 2002-2005
2002
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2003
https://www.hubert-burda-stiftung.de/iconic-turn
Peter William Holden
It's hard to see a photograph physically fading, erasing itself with the bombardment of light but hold no doubts it is subtly becoming elusive like all we hold dear. I often find myself contemplating the fragility of the moment, and I believe this
Welcome to Bill Vorn´s Apocalyptic World of Bedlam
2001
Martin, James. Welcome to Bill Vorn´s Apocalyptic World of Bedlam .
Bedlam and Other Robotic Art Projects
2003
Penny, Simon and Bill Vorn. Bedlam and Other Robotic Art Projects In Subtle Technologies 03, edited by Jim Ruxton and Tania ThompsonUniversity of Toronto, Toronto: 2003.
Digitalität als Vorschein der künftigen Welt
1986
Weibel, Peter. Digitalität als Vorschein der künftigen Welt In Konsum and Kommunikation, edited by Galerie V\&VWien: 1986.
Repräsentation - das Wort, die Vorstellung, der Gegenstand
1992
Ginzburg, Carlo. Repräsentation - das Wort, die Vorstellung, der Gegenstand Freibeuter 53 (1992): 2-23.
Red Streamlines
2003
The essential component of wavy flow is the vortex. In isolation, a single vortex simply influences its surroundings to orbit around itself at a speed proportional to the inverse square of the distance to the vortex's axis. When a large number of
Wave For Hokusai
2010
This work is a tribute to the Japanese artist Katsushika Hokusai, whose woodblock print "The Great Wave off Kanagawa" (c. 1829-32) is not only one of the most-recognized pieces of Japanese art, but is also appreciated by turbulence researchers as an
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