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Kunst als offenes Handlungsfeld / Art as open practice 1999

Weibel, Peter. Kunst als offenes Handlungsfeld / Art as open practice In Offene Handlungsfelder. Open Practices. Prassi aperta, Österreichischer Pavillon, 45. Biennale von Venedig, edited by Peter Weibel and Ecke Bonk, 9-21 and 22-35. Köln: DuMont
On the occasion of La Biennale di Venezia 1990

Gudrun, Bielz; Schnell, Ruth, ed. On the occasion of La Biennale di Venezia. Vienna: Aperto, 1990.
dAPERTutto (APERTO over ALL) 1999 - 1999

Event: dAPERTutto (APERTO over ALL)Institution: Venice BiennaleComment:
44th Venice Biennale- Aperto 1990 - 1990

Event: 44th Venice Biennale- ApertoInstitution: Venice BiennaleComment:
Photography at the Interface 1996

Ascott, Roy. Photography at the Interface In Electronic Culture. Technology and Visual Representation, edited by Timothy Druckrey, 165-172. New York: Aperture, 1996.
Watching the World 2014

Manovich, Lev. Watching the World Aperture magazine , no. 214 (2014).
d'APERTutto, 48th International Venice Biennale 1999 - 1999

Event: d'APERTutto, 48th International Venice BiennaleInstitution: Schirn KunsthalleComment:
d’APERTutto 1999 - 1999

Event: d’APERTuttoInstitution: MACBA, BarcelonaComment:
Grind Snaxe Blind Apes (A Study for Pomeroy's Tomb) 1997

Grind Snaxe Blind Apes (A Study for Pomeroy's Tomb)Artist: Paul DeMarinisComment:
Grind Snaxe Blind Apes 1997

A tomb made of cardboard packing boxes. Inside, a primate-lab cage and a mechanism. That moves a computer controlled monkey's paw and a light source that slowly draw the face of Jim Pomeroy (1946-1992) in phosphorescent pigment.

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