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Da remixagem a software arte: o código oculto e o aparato tecnológico na cibercomunicação 2007

DOMINGUES, DIANA MARIA G. Da remixagem a software arte: o código oculto e o aparato tecnológico na cibercomunicação 2º Simpósio Arte Contemporânea: história, teoria e crítica (2007).
DOT-MATRIX. Replacing reality with its representation 2005 - 2005

Event: DOT-MATRIX. Replacing reality with its representationInstitution: Apeejay Media GalleryComment:
Apeejay Media Gallery 2000
Kunst als offenes Handlungsfeld / Art as open practice 1999

Weibel, Peter. Kunst als offenes Handlungsfeld / Art as open practice In Offene Handlungsfelder. Open Practices. Prassi aperta, Österreichischer Pavillon, 45. Biennale von Venedig, edited by Peter Weibel and Ecke Bonk, 9-21 and 22-35. Köln: DuMont
On the occasion of La Biennale di Venezia 1990

Gudrun, Bielz; Schnell, Ruth, ed. On the occasion of La Biennale di Venezia. Vienna: Aperto, 1990.
dAPERTutto (APERTO over ALL) 1999 - 1999

Event: dAPERTutto (APERTO over ALL)Institution: Venice BiennaleComment:
44th Venice Biennale- Aperto 1990 - 1990

Event: 44th Venice Biennale- ApertoInstitution: Venice BiennaleComment:
Photography at the Interface 1996

Ascott, Roy. Photography at the Interface In Electronic Culture. Technology and Visual Representation, edited by Timothy Druckrey, 165-172. New York: Aperture, 1996.
Watching the World 2014

Manovich, Lev. Watching the World Aperture magazine , no. 214 (2014).
d'APERTutto, 48th International Venice Biennale 1999 - 1999

Event: d'APERTutto, 48th International Venice BiennaleInstitution: Schirn KunsthalleComment:

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