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Garavaglia, J. and C. Robles. WOODEN WORLDS – Aesthetical and Technical aspects of a Multimedia Performance using Real-time Interaction. proceedidings ISEA , no. 2011 (2011).

Garavaglia, J. and C. Robles. WOODEN WORLDS – Aesthetical and Technical aspects of a Multimedia Performance using Real-time Interaction. proceedidings ISEA , no. 2011 (2011).

Matt, Gerald and Wolfgang Fetz, ed. Absolutismus und Exzentrik. Die Kunst des Entschwindens. (Assolutismo ed Eccentricita L'Arte dello Svanire.). Bolzano: Bozen Galerie Museum, 1991.

Adamer, Ingrid. Transparenz, Interview Dr. Ingrid Adamer mit Gudrun Bielz.. Feldkirch: Palais Liechtenstein, 1993.

Kulturabteilung der Stadt Wien, ed. Über Wasser. Museum auf Abruf, Objekte aus der Sammlung der Stadt Wien. Vienna: Kulturabteilung der Stadt Wien, 2003.

Pichler, Cathrin. Territorism II In Das Gute muss nicht immer das Böse sein – Kunst aus Vorarlberg, edited by Bucher GmbH & CoHohenems: 2007.

Pichler, Cathrin. Territorism II In Das Gute muss nicht immer das Böse sein – Kunst aus Vorarlberg, edited by Bucher GmbH & CoHohenems: 2007.

-. Untitled Eva & Co. 18 (1990).

Frank, Peter and Charlotte Frost and Thomas Miller and Michael J. Masucci and Victor Acevedo. Acevedo in Context: Analog Media 1977-1987 • Digital Media 1983 - 2020. 1st th ed.Los Angeles, CA. USA: Acevedomedia, 2022.

Moore, Lila. Spiral and Waves — The Female Image and Identity in Experimental Films and Videos by Women Filmmakers, Choreographers and Performance Artists Master Thesis, Central Saint Martins College of Art and Design, London, 1989.