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  • “Os trópicos parecem conspirar contra a memória”
    ...Raphael Fonseca. “Os trópicos parecem conspirar contra a memória” ArtNexus , no. 94 (September/November 2014).
  • Os trópicos parecem conspirar contra a memória
    ...Raphael Fonseca. Os trópicos parecem conspirar contra a memória ArtNexus , no. 94 (September/November 2014).
  • Os trópicos parecem conspirar contra a memória
    ...Fonseca, Raphael. Os trópicos parecem conspirar contra a memória ArtNexus , no. 94 (September/November 2014).
  • Subtle Technologies 2001
    ...The 4th annual Subtle Technologies Conference is an opportunity for scientists and artists to come together and share each others language in those areas which are still searching for definitions, explanations and meaning. This conference blurs the boundaries between...
  • Subtle Technologies 2012
    ...The main Festival days (Friday May 25, Saturday May 26 and Sunday May 27) have each different related themes: Friday May 25: Art, technology & science ideas, selected from a variety of different fields Saturday May 26: Biology and Art — artists and scientists who...
  • European Media Art Festival 1988
    ...The European Media Art Festival was held under this name for the first time in the European Film and Television Year of 1988. The concept envisaged offering visitors and participating artists an informative programme by jointly presenting different media and...
  • European Media Art Festival 1995: Art and Body
    ..."Art and Body" was the general topic of EMAF 1995. Many artists had chosen the human body to be the focal point of their projects, and they also brought up the question of the influence the expansion of interactive media has on the individual. The festival programme...
  • Collecting Intangibles: Marketing Strategies for Net Art Works
    ...Waelder, Pau. Collecting Intangibles: Marketing Strategies for Net Art Works artnodes , no. 13 (2013): 111-116.
  • Pain Games. Pain as sensory stimulus in the context of videogame-based digital art
    ...Waelder, Pau. Pain Games. Pain as sensory stimulus in the context of videogame-based digital art artnodes , no. 7 (2007): 61-70.
  • European Media Art Festival 1997
    ... films, whereby the end product often no longer allowed any conclusions to be drawn from the source material. The artists had combined the creative possibilities of film, video and computer technology in such a way that the previous aesthetic and...
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