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  • VR to Begin With -
    Panel with Johanna Pirker (TU Graz), Ninoslav Adžibaba (VRlabs Belgrade) and Vladimir Todorović (UWA Perth) Computer Graphics and Arts Conference, Yugoslav Film Archive, Belgrade.
  • Prefiguring Cyberculture, an intellectual history
    Penny, Simon. Prefiguring Cyberculture, an intellectual history In Traces, edited by Darren Tofts and Annemarie Jonson and Alessio CavallaroCambridge, MA: MIT Press, 2004.
  • Espaces Entrelacés: Virtual Reality as Poeisis
    Davies, Char. Espaces Entrelacés: Virtual Reality as Poeisis In Prefiguring Cyberculture: An Intellectual History, edited by Darren Tofts and Annemarie Jonson and Alessio Cavallaro, 192-193. Cambridge, MA: The MIT Press, 2002.
  • TOFUZI - Best Experimental Film
    Event: TOFUZI - Best Experimental FilmInstitution: TOFUZIComment:
  • Permanent collection: "A-Volve" -
    Event: Permanent collection: "A-Volve"Institution: NTT Tokei (NHK Building Nagoya)Comment:
  • Media Passage
    InterCommunication Center Tokyo, ed. Media Passage. Tokyo: NTT Publishing Co., 1993.
  • Impressing Velocity -
    Masaki Fujihata and his colleagues climbed up Mt. Fuji with GPS in the summer 1992. Follwoing images were calculated and deformed with position data by GPS and mesh data supplied from Kokudo Chiri In, Japan and TM image data from Remote Sensing
  • ZENetic Computer
    ZENetic Computer is an interactive experience that evokes "self-awakening," a particular cognitive response to processing reality via subliminal consciousness. It uses stories portrayed in sumie (ink painting), haiku and kimono which display
  • TI -
    C.E.B. Reas lives and works in Los Angeles. His work focuses on defining processes and translating them into visualisations. Since 2001, he has developed Processing, an open-source programming environment, with Ben Fry. Both Reas and Fry have
  • new skin -
    The Broad Art Foundation's new skin, 2002, presents an evolution from Aitken's earlier styles, both physically and conceptually. Projected from four corners of a room onto a pair of suspended, intersecting oval screens, the work is part film and
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