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“Vorsicht! Es scheint, daß er direkt auf die Dunkelheit zustürzt, in der Sie sitzen.” Immersions- und Emotionsforschung, Kernelemente der Bildwissenschaft 2007

Grau, Oliver. “Vorsicht! Es scheint, daß er direkt auf die Dunkelheit zustürzt, in der Sie sitzen.” Immersions- und Emotionsforschung, Kernelemente der Bildwissenschaft In Wie sich Gefühle Ausdruck verschaffen, edited by Klaus Herding and Antje
Threesome 2003 video

click here to read the code >click here to launch the project >Java Applet
Chimères, Monstres et Merveilles, de la Mythologie aux Biotechnologies 2003 - 2003

Event: Chimères, Monstres et Merveilles, de la Mythologie aux BiotechnologiesInstitution: Salle du quai Antoine 1erComment:
Antolorgia 1984

Kac, Eduardo and Cairo Trindade (ed.). Antolorgia. Rio de Janeiro: Codecri, 1984.
Brain Art: Brain-Computer Interfaces for Artistic Expression 2019

Nijholt, Anton. Brain Art: Brain-Computer Interfaces for Artistic Expression. Enschede, The Netherlands: Springer Nature, Switzerland, 2019.
Talk to me. Design and the communication between people and objects [publ. in conjunction with the exhibition "Talk to me: design and the communication between people and objects" ... in the Department of Architecture and Design, at The Museum of Modern A 2011

Antonelli, Paola. Talk to me. Design and the communication between people and objects [publ. in conjunction with the exhibition "Talk to me: design and the communication between people and objects" ... in the Department of Architecture and Design,
Muntadas. On Translation: Paper BP/MVDR 2009

Muntadas, Antoni. Muntadas. On Translation: Paper BP/MVDR. Barcelona, Spain: Fundación Mies van der Rohe, 2009.
Antonio R. Montesino

Artist: Antonio R. MontesinoComment:
Antropologia della visione 2002

Marazzi, Antonio. Antropologia della visione. Roma, IT: Carocci, 2002.
El ojo del tiempo 1996 - 1996

Event: El ojo del tiempoInstitution: Ermita de San AntonioComment:

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