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  • HIMMEL ÜBER LEIPZIG -
    Medienbiennale Leipzig 94 - Minima Media Installationen im öffentlichen Raum Installations throughout the city of Leipzig Fred Fröhlich, Tjark Ihmels, Paul Sermon, Andrea Zapp
  • Digital Light
    Cubitt, Sean and Daniel Palmer and Nathaniel Tkacz, ed. Digital Light. London: Open Humanities Press, 2015.
  • Bastard Culture! How User Participation Transforms Cultural Production
    Schäfer, Mirko Tobias. Bastard Culture! How User Participation Transforms Cultural Production. Amsterdam: Amsterdam University Press, 2011.
  • Hopeful Monsters Exhibition curated by Nic Tobier. Displayed two arms from Autopoiesis -
    Event: Hopeful Monsters Exhibition curated by Nic Tobier. Displayed two arms from AutopoiesisInstitution: Fosdick Nelson GalleryComment:
  • The Living Web - video
    This CAVE-based interactive and immersive installation explores the potential of the world-wide web as interactive and immersice data and information medium. Today information on the Internet is presented in a standard fashion, as defined by the
  • The Port -
    Image: The Port inauguration, Humlegården, Stockholm, 2005 — The Port is a community driven island inside the online 3D world Second Life. The island is open and accessible to Second Life’s 175 000 (Aug 2005) inhabitants and potentially to all
  • The World of Art and Artificial Life
    Sommerer, Christa and Laurent Mignonneau and U. Yoshiyuki. The World of Art and Artificial Life Computer Today Journal 1, no. 71 (1996): 41-46.
  • McLuhan Today / McLuhan Heute
    de Kerckhove, Derrick. McLuhan Today / McLuhan Heute In Ars Electronica 2005: Hybrid - Living in Paradox, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz, 2005.
  • Emotion Winds, Video Installation
    Benayoun, M.. Emotion Winds, Video Installation FLUX, Metamorphosis of the Virtual 5+5, Digital Art Today Paris-Shanghai (2014).
  • Computer Art: The Future Today
    Event: Computer Art: The Future TodayInstitution: IMéREC (Institut Méditerranéen de Recherche et de Création)Comment:
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