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National Gallery of Canada and Ottawa Canadian Museum of Contemporary Photography, ed. George Legrady - From Analogue to Digital: Photography and Inactive Media. Ottawa, Canada: 1997.

Pomeroy, Jim and Tim Druckrey and Marnie Gillett, ed. Digital Photography: Captured Images, Volatile Memory, New Montage. : Cameraworks Gallery, 1988.

Kluszczynski, Ryszard W.. Trans-media Art. On the Art of Ryszard Wasko In Ryszard Wa ś ko. Retrospective 1970-1990 (photography, film, video), edited by Ryszard W. KluszczynskiLodz: Galeria FF, 1997.

Neidich, Warren and Norman Bryson. Blow-Up: Photography, Cinema and the Brain. Riverside, CA: Distributed Art Publishing/ University of California, 2003.

Borda, Sylvia Grace. Impressions - digital cyanotypes. Studies in Photography Scotland, 2013 th ed.Scotland: The Scottish Society for the History of Photography, 2013.

Hirsch, Robert, ed. Exploring Color Photography. From Film to Pixels. 6 th ed.New York/London: Focal Press, 2015.

Manovich, Lev. Competitive Photography and the Presentation of the Self http://manovich.net/index.php/projects/competitive-photography-and-the-presentation-of-the-self.

Manovich, Lev and Alise Tifentale. Selfiecity: Exploring Photography and Self-Fashioning in Social Media http://manovich.net/index.php/projects/selfiecity-exploring.

Berlot, Uršula. Art in the Age of Genetics Art.Si – Magazine on Art, Architecture, Design and Photography, June 2003. Ljubljana: Art.si (2003).

Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).