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  • Quotes -
    Print on circuit board The 'Quotes' series brings forward questions regarding research ethics and responsibility in science. Landscape format PCB blanks become image carriers; their motifs and quotations, composed in monochrome black or white, had
  • European Media Art Festival 2003: Larger Than Life -
    ›Larger than Life‹ - is the title of the festival 2003. The European Media Art Festival (EMAF) invites experts in arts, cultur, oeconomy and also interested public to get an overview abuut the latest trends and present developments in the field of
  • Virtual Borders and Surveillance in the Digital Age :: Visit-US -
    Presented paper "Virtual Borders and Surveillance in the Digital Age :: Visit-US" and screened 3D computer animation, "Visit-US," at ISEA 2008. SESSION TITLE: BORDER RECKONINGS, BORDER CROSSINGS 2 (CHAIR: FLORIAN SCHNEIDER)
  • XIII Bienal de La Habana- La construcción de lo posible -
    Exhibit title: #fuckreality
  • Der entfesselte Blick -
    [English title, "The unleashed gaze"]
  • Brot und Spiele -
    English title, 'Bread and Circuses'
  • The Undivided Mind -
    Title of paper and presentation: Fields of Networked Mind: Ritual Consciousness and the Factor of Communitas in Networked Rites of Compassion
  • Propagation of the Luminous Word
    This work addresses the notion of a library of the written language, and gives special aesthetic emphasis to the digital (binary) transformation of language to embody the context of the LBC as a computing center for a larger network of provincial
  • conscious love -
    The installation was conceived for the art show 'amour et conscience', Paris, 1999 (Atelier Sévigné, 9/9/99 - 9/12/99). It consists of three parts: Five curtains, representing consciousness, digital word-picture-prints on
  • "WEIGHING…and WANTING" -
    William Kentridge: WEIGHING…and WANTING is an installation of charcoal, pastel and gouache drawings and a film transferred to laser disk which is based on the drawings. Kentridge's homeland, South Africa, figures largely in his artwork, which
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