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  • HDH215 -
    This piece is about a personal memory from my hometown, the small city of Heidenheim in the rural south of Germany. My favourite intersection is located on Schnaitheimer Straße, at the top where the old customs office is situated. One day the
  • back forward rewind – online exhibition for the 20th Anniversary of MediaArtLab -
    Curators: Olga Shishko and Elena Rumyantseva Participating artists: Tanya Akhmetgalieva (Russia) The Blue Soup (Russia) Alexandra Dementieva (Russia/Belgium) George Drivas (Greece) Omer Fast (Israel) William Hooker and Phill Niblock (USA) JODI
  • Space For New Dialog
    Event: Space For New DialogInstitution: The Museum of Contemporary Art Vojvodina in Novi SadComment:
  • Novi Sad Perceptions of Contemporaneity Exhibition: "The Universal Sea" -
    Event: Novi Sad Perceptions of Contemporaneity Exhibition: "The Universal Sea"Institution: Museum for Contemporary Art of VojvodinaComment:
  • The Use of Bio-interfaces in Interactive Multimedia Works: Two Examples.
    Robles, Claudia. The Use of Bio-interfaces in Interactive Multimedia Works: Two Examples. http://people.brunel.ac.uk/bst/vol1001/claudiarobles/.
  • Surrey Youth on display at bold interactive showcase
    Choi, Deanne. Surrey Youth on display at bold interactive showcase Source Magazine British Columbia 13, no. 28 (October 2013): http://thelasource.com/media/vol13no28_English_lowres.pdf.
  • TRAVELOG #1 - Nuit bleue - -
    ” … Il semble que l’être volant dépasse l’atmosphère même où il vole. ” *** (It seems that the flying being exceeds even the atmosphere where he flies.) -Nuit Bleue- is the first ‘logbook’ of the TRAVELOG series : An assemblage of travels, of
  • Scripta Volant
    Kac, Eduardo. Scripta Volant. Chicago: Green Lantern Press, 2018.
  • Digital Photography: Captured Images, Volatile Memory, New Montage
    Pomeroy, Jim and Tim Druckrey and Marnie Gillett, ed. Digital Photography: Captured Images, Volatile Memory, New Montage. : Cameraworks Gallery, 1988.
  • Aromapoetry
    "Every poem in the book Aromapoetry employs nanotechnology by binding an extremely thin layer of porous glass (200 nanometers thick) to every page, trapping the odorants (i.e. the volatile molecules) and releasing them very slowly. Without this
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