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  • Self&Other -
    Self&Other (2015 in progress) An in progress Robot performance, by Roc Parés & Martí Sánchez-Fibla, featuring two NAO anthropomorphic Robots. The scene is organized around an empty mirror frame, with one robot on each side. The two identical robots
  • RC Robot
    In 1986 Kac worked with radio-controlled telerobotics in the context of the exhibition "Brasil High Tech", realized at the Centro Empresarial Rio, in Rio de Janeiro. Kac used a 7-feet tall anthropomorphic robot (left) as a host who conversed with
  • Anthroposcope
    Sommerer, Christa and Laurent Mignonneau. Anthroposcope In Scultura e Oltre: 16th International Biennale del Bronzetto e della Piccola Scultura, edited by G. Franco and Ernesto Luciano FranaclanciPadova: Il Poligrafo, 1995.
  • Anthroposcope and Phototropy
    Sommerer, Christa and Laurent Mignonneau. Anthroposcope and Phototropy In ARTEC´95, Nagoya: Nagoya City Art Museum, 1995.
  • Anthroposcope -
    Event: AnthroposcopeInstitution: Galerie StadtparkComment:
  • Vulnerability -
    CYFEST-15 in Yerevan is dedicated to (anti)fragility of human and non-human body, biological, social and cyberspaces, stories and scenarios of the future as well as confrontations and relationships with the world in a state of transition.
  • Feed -
    FEED consumes the web. A play on the technical term "data feed", FEED does not supply information, it consumes information, reducing structure, meaning and content to a stream of text and pixels. An anti-browser, FEED unravels the web. Contemplative
  • Wavefunction -
    Wavefunction is a kinetic sculpture comprised of fifty to one hundred Charles and Ray Eames moulded chairs (designed in 1948) and placed in a regular array of rows, facing the entrance to the exhibition space. When someone approaches the work, a
  • The Intelligent Machine as Anti-Christ
    Penny, Simon. The Intelligent Machine as Anti-Christ In SISEA 1990 Proceedings, Groningen: 1992.
  • Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art
    Yeh, C. J.. Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art Ming Chuan - Magazine (2011): 53-56.
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