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Spa
ce and Spectator: Embodied Perception in the Art of In
sta
llation
2018
Berlot, Uršula.
Spa
ce and Spectator: Embodied Perception in the Art of In
sta
llation Journal for the Critique of Science, Imagination, and New Anthropology. Lljubljana: Inštitut Časopis za kritiko znanosti XLVI/274, no. 27-54 (2018).
Petit Mal
1989
-
1993
Although much work has been done in the field of screen-based interactive art, the mode of interaction in these works is confined by the very existence of image material on a screen, the so called "graphical user interface". I am particularly
The Ornitorrinco Project
1989
-
1996
Eduardo Kac pioneered telepresence art in 1986, when he created his first wireless robot, a remote-controlled anthropomorphic figure through which human participants could engage in conversation. In 1989 Kac developed with Ed Bennett the telerobot
Self&Other
2015
-
2016
Self&Other (2015 in progress) An in progress Robot performance, by Roc Parés & Martí Sánchez-Fibla, featuring two NAO anthropomorphic Robots. The scene is organized around an empty mirror frame, with one robot on each side. The two identical robots
RC Robot
1986
In 1986 Kac worked with radio-controlled telerobotics in the context of the exhibition "Brasil High Tech", realized at the Centro Empresarial Rio, in Rio de Janeiro. Kac used a 7-feet tall anthropomorphic robot (left) a
s a
host who conversed with
Anthroposcope
1995
Sommerer, Chri
sta
and Laurent Mignonneau. Anthroposcope In Scultura e Oltre: 16th International Biennale del Bronzetto e della Piccola Scultura, edited by G. Franco and Ernesto Luciano FranaclanciPadova: Il Poligrafo, 1995.
Anthroposcope and Phototropy
1995
Sommerer, Chri
sta
and Laurent Mignonneau. Anthroposcope and Phototropy In ARTEC´95, Nagoya: Nagoya City Art Museum, 1995.
Anthroposcope
1994
-
1994
Event: AnthroposcopeInstitution: Galerie
Sta
dtparkComment:
Vulnerability
2023
-
2023
CYFEST-15 in Yerevan is dedicated to (anti)fragility of human and non-human body, biological, social and cyber
spa
ces, storie
s a
nd scenarios of the future as well as confrontation
s a
nd relationships with the world in a
sta
te of transition.
Feed
2001
-
2001
FEED consumes the web. A play on the technical term "data feed", FEED does not supply information, it consumes information, reducing structure, meaning and content to a stream of text and pixels. An anti-browser, FEED unravels the web. Contemplative
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