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MERCE CUNNINGHAM: COMMON TIME
2017
Fionn Meade and Joan Rothfuss and Olga Viso, ed. MERCE CUNNINGHAM: COMMON TIME. Minnesota: Walker Art Center, 2017.
Ars Electronica 2003: CODE - The Language of our Time
2003
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2003
Event: Ars Electronica 2003: CODE - The Language of our TimeInstitution: Ars Electronica Linz GmbH & Co KGComment:
Giselle Beiguelman - an Individual Retrospective
2004
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2004
Event: Giselle Beiguelman - an Individual RetrospectiveInstitution: Hull Time Based ArtsComment:
Art in the Anchorage
1997
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1997
Event: Art in the AnchorageInstitution: Creative TimeComment:
Art in the Anchorage '90
1990
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1990
Event: Art in the Anchorage '90Institution: Creative TimeComment:
Sounds [That] Are Not. Is there any time left?
2020
Sanchez Cardona, LM. Sounds [That] Are Not. Is there any time left? In Towards a Non-Anthropocentric Ecology: Victoria Vesna and Art in the World of the Anthropocene, edited by Ryszard W. KluszczynskiArt+Science Meetings, Gdańsk: LAZNIA Centre for
WOODEN WORLDS - An Audiovisual Performance with Multimedia Interaction in Real-time
2012
Garavaglia, J. and C. Robles. WOODEN WORLDS - An Audiovisual Performance with Multimedia Interaction in Real-time Interactive Media Art Conference (IMAC) 2011 Proceedings, edited by Morten Søndergaard, Aalborg University Press, 2012 (2012): 54-59.
DATA DYNAMIX
2001
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2001
POINT TO POINT, Mark Napier Point to Point is a public art work that uses the motion of people in public space to drive an evolving graphic display. The display is projected onto the wall in the space and can be viewed as well on the internet; web
Frieder Nake "Die präzisen Vergnügen"
2005
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2005
The exhibition shows works by the computer scientist, Frieder Nake (now resident in Bremen), who was a member of the Stuttgart group led by Max Bense. He displayed his first algorithmically generated digital graphics in Stuttgart in 1965, as did
Media. Time Festival: Wood and Byte.
1999
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1999
Event: Media. Time Festival: Wood and Byte.Institution: Centro Culturale TreviComment:
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