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Pride of our young nation
1990
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1991
Pride of our young nation is a meditation on machines of war and the psychology which motivates their construction. Its material construction echoes the archetype of a piece of field artillery, unchanged since the napoleonic era, while its control
Televised Distance #2
2003
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2003
Even though we have the capability to communicate over long distances, we are losing the senses of "the body" when using modern technology. In the future, can we design a medium that overcomes that? "Televised Distance"is an interactive art project
Televised Distance #1
2002
-
2002
Even though we have the capability to communicate over long distances, we are losing the senses of "the body" when using modern technology. In the future, can we design a medium that overcomes that? "Televised Distance"is an interactive art project
Cloning Senses
Cloning SensesArtist: F.A.B.R.I.CATORSComment:
Primitive
2018
The primitives, whose components include the platonic solids, function as basic modules in every 3D-program. Within computergraphics one can assemble complicated structures from those elementary one-, two- or three-dimensional geometrical shapes.
INsideOUT
2009
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2013
This performance is about the materialization of the performer’s thoughts and feelings on the stage. In the performance, imagination becomes spatial. The stage is a place for the appearance of the invisible. Yasu Ohashi says: “the actors aim at our
Mimesis and Alterity: A Particular History of the Senses
1992
Taussig, Michael. Mimesis and Alterity: A Particular History of the Senses. New York: Routledge, 1992.
On the Track of Man's lost Senses
1997
Strauss, Wolfgang and Monika Fleischmann. On the Track of Man's lost Senses VTEXT, a magazine about video/digital image/and the world of new media (June 1997).
ArsLab - The Senses of the Virtual
1995
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1995
Event: ArsLab - The Senses of the VirtualInstitution: Museo de arte contemporáneo de MonterreyComment:
Siggraph 2009
2009
"Network your Senses" Conference 3-7 August 2009, Exhibition 4-6 August 2009.
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