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  • Susan Narduli
    Susan Narduli is a Los Angeles-based artist and Principal of Narduli Studio – an interdisciplinary design practice with commissions in public art, public spaces, digital installations, light environments, and landscapes. She holds a Bachelor of Fine
  • J. Rosenbaum
    J. Rosenbaum is a contemporary figurative artist working in 3D modeling and exploring the boundaries of technology and art. Their most recent work has been in exploring the nature of Non Binary Transness and their own genders and sexuality. Well
  • SFEAR
    Internet, helium balloon, 2 video projections, dig
  • 010101: Art in Technological Times -
    http://010101.sfmoma.org/start.html
  • Is There Any Room for Me Here?
    IS THERE ANY ROOM FOR ME HERE? "This black-and-white video is based around the image of a sparsely furnished apartment at nighttime, using light and shade effects - of a subtlety and delicacy that recalls the brush strokes in a Chinese ink drawing -
  • Crystal shade
    solo
  • Infiltrate -
    In the center of the room, on a riser approximately 5 feet tall, a square fish tank, bare, approx 2x3x4 feet, spotlit from above. Inside swim 6 fat koi fish, one gold, the others white On one wall the video projector displays a computer animated
  • Infiltrate Fish Art Installation
    In the center of the room, on a riser approximately 5 feet tall, a square fish tank, bare, approx 2x3x4 feet, spotlit from above. Inside swim 6 fat koi fish, one gold, the others white On one wall the video projector displays a computer animated
  • Shades of Virtuality
    Fleischmann, Monika and Wolfgang Strauss. Shades of Virtuality In Virtualities and Realities, edited by Rasa Smite and Raitis SmitsVol.Acoustic Space, Vol. 17. ISBN 978-9934-8434-7-1, Riga: RIXC Center for New Media Culture, 2019.
  • Shades of Virtuality : From Virtual Reality to Mixed Reality - From Beeing to Becoming
    Fleischmann, Monika and Wolfgang Strauss. Shades of Virtuality : From Virtual Reality to Mixed Reality - From Beeing to Becoming Virtualities and Realities Acoustic Space, no. 17 (May 2019): 51 - 57.
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