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Death of the New (Venice Biennale 1984) 1984

...Penny, Simon. Death of the New (Venice Biennale 1984) Artlink (1984).
Simulation: Digitization, Interaction: The Impact of Computing Arts 1987

...Penny, Simon. Simulation: Digitization, Interaction: The Impact of Computing Arts Artlink 7, no. 3/4 (1987).
Charlie Chaplin, Stelarc and the Future of Humanity 1989

...Penny, Simon. Charlie Chaplin, Stelarc and the Future of Humanity Artlink 9, no. 1 (1989).
New Territory: Art Practice in the Digital Environment 1989

...Penny, Simon. New Territory: Art Practice in the Digital Environment Artlink (March 1989).
Modern Women: Women Artists at The Museum of Modern Art 2010

...Butler, Cornelia and Alexandra Schwartz and Griselda Pollock and Aruna D'Souza, ed. Modern Women: Women Artists at The Museum of Modern Art. New York: The Museum of Modern Art, 2010.
Spiral and Waves — The Female Image and Identity in Experimental Films and Videos by Women Filmmakers, Choreographers and Performance Artists 1989

... Waves — The Female Image and Identity in Experimental Films and Videos by Women Filmmakers, Choreographers and Performance Artists Master Thesis, Central Saint Martins College of Art and Design, London, 1989.
VIPER Basel 2004 - 2004

... platform for presenting innovative works and projects, attracting Swiss and international filmmakers and producers, artists, curators, critics and purveyors of ideas from the media, research and politics. In addition, VIPER Basel's...
Making Things Public. Atmospheres of Democracy 2005 - 2005

... Steve Dietz The exhibition Making Things Public addresses the challenge of renewing politics by applying to it the spirit of art and science. This unusual exhibition builds on the Iconoclash exhibition (ZKM 2002), which dealt with the crisis of...
Video Installation by Bill Viola 1989

...Penny, Simon. Video Installation by Bill Viola Artlink (March 1989).
TechnoUtopian Rhetorics and the Ossification of Interfaces 1997

...Penny, Simon. TechnoUtopian Rhetorics and the Ossification of Interfaces ArtLink 16, no. 2+3 (1997).

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