Archive Search

  • ...Machinery on the memory line of the configuration file... The 3 levels of images: Foreground-Matte-Background (Front-Back-Matte) The 3 levels of commodities: Sensitive-No-Sensitive-Suprasensitive. Oculus Oracle The labourer is distinguishable only as instrumentum...
  • ...Kracauer, Siegfried. Theorie des Films: Die Errettung der Äußeren Wirklichkeit. Frankfurt/Main: Suhrkamp-Taschenbuch Wissenschaft, 1985.
  • ...This exhibit displays art whose basic media consists of machinery, electronics or electronic media. These works are acts of conversation, with many different connections – a condensing process in space and time. Themes presented by active artists of Taiwan and Germany...
  • ... Bodies and Objects Intertwined in Cyberplaces and Art Educational Places (Threads of a Critical Digital Pedagogy). He joined the IUP faculty in 2004. His research interests are primarily in the areas of digital technology in art education, digital visual...
  • ...Bolz, Norbert. Theorie der neuen Medien. München: Raben Verlag, 1990.
  • ...Fritz, Jürgen and Wolfgang Fehr, ed. Handbuch Medien: Computerspiele: Theorie, Forschung, Praxis. Bonn, DE: Bundeszentrale für Politische Bildung, 1999.
  • Fischer, Hervè, ed. Théorie de l'art sociologique. Paris: Casterman, 1976.
  • Event: Nouvelles techniques, création et théorieInstitution: Les états de la création, Colloque international, Université de Lyon 2Comment:
  • ...Schulze, Holger. Heuristik – Theorie der intentionalen Werkgenese. Vol.2, pp. 125-132. ISBN 3-89942-326-7, 1 th ed.Bielefeld: Transcript Verlag, 2005.
  • ...Twenty years ago, Mary Louise Pratt proposed the notion of a “contact zone” as a place where culture is negotiated and challenged. Art can bridge or destabilize disciplines and methods in ways that reframe histories and bring new insights. Still, on a global scale,...