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ADA_Feature_Eduardo_Kac_Zamora_Mealing_2022.pdf
Eduardo Kacsounding out the non-binaryThe Archive of Digital Art, 06/2022Text by Carla Zamora and Samantha Mealing, Interview on Time Capsule by Samantha Mealing,Rachel de Joode and Herbert Gmoser.“In the course of pursuing Bio Art we have
Nature and Origins of Virtual Environments: A Biographical Essay
1991
Ellis, S. R.. Nature and Origins of Virtual Environments: A Biographical Essay Computing Systems in Engineering 2, no. 4 (1991): 321-347.
Introductory Essay from a CAMP Event : On the Excess of Images, and of Access to Images
2008
Sukumaran, Ashok. Introductory Essay from a CAMP Event : On the Excess of Images, and of Access to Images .
Essay Concerning Human Understanding
1995
Kac, Eduardo. Essay Concerning Human Understanding Leonardo Electronic Almanac 3, no. 8 (August 1995).
Camille Baker
Camille Baker is an artist-performer/researcher/curator within various art forms: immersive experiences, participatory performance and interactive art, mobile media art, tech fashion/soft circuits/DIY electronics, responsive interfaces and
GUISE exhibition catalogue essay by Diyan Achjadi
2001
Willet, Jennifer. GUISE exhibition catalogue essay by Diyan Achjadi. Québec: Articule Artist Run Centre Montréal, 2001.
‘Intervention’ catalogue essay
2013
Nils Jean. ‘Intervention’ catalogue essay Disruption Biennial RCA Research Exhibition book (January 2013).
‘Instructions’ catalogue essay for Fieldwork 2
2012
Nils Jean. ‘Instructions’ catalogue essay for Fieldwork 2 RCA Visual Communication Researchers Exhibition catalogue (2012).
LPDT2: Telematic Embrace
2010
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2010
'LPDT2 : The Second Life of La Plissure du Texte' is the Second Life® incarnation of Roy Ascott's groundbreaking new media art work La Plissure du Texte ('The Pleating of the Text'), created in 1983 and exhibited at the Musee de l'Art Moderne de la
Second Promenade
1998
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1999
Boissiers Installation "Second Promenade" is based on different meshed media: images, sounds, music, videos and a computerbased text. This hypertext is in a close relationship to the original of Rousseaus Second Promenade and can be read variably by
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