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Extimidad. Arte, Intimidad y Tecnología. / Extimacy. Art, intimacy and technology
2011
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2011
Inside the immense flow of data exchange, the new technologies have facilitated an interdependency between the spheres of what is private and what is public, between interior and exterior, leading us to reveal, in an increasingly natural manner, our
Peripheral trajectory
2015
In Peripheral Trajectory you stand with your upper body in a horizontal cylinder while 3D images are projected on its surface. The work completely absorbs you and gives you an intense full-body experience of pure motion by projecting images in your
GENMA-Genetic Manipulator
1996
Sommerer, Christa and Laurent Mignonneau. GENMA-Genetic Manipulator In Ars Electronica ´96. Memesis of the Future, edited by Art Electronica, 294-295. Wien, New York: Springer Verlag, 1996.
Featured Scholar Sean Cubitt
08/2015
.. His publications include Timeshift: On Video Culture, Videography: Video Media as Art and Culture, Digital Aesthetics, Simulation and Social Theory, The Cinema Effect, EcoMedia ..
Israel Lopez
Mexican digital artist, PhD in Art and Culture, Master of Arts for Architecture, Art and Design Division of the University of Guanajuato. His work is constituted in the manipulation of digital media and its relationship with the human body,
Between Zero and One
2024
Strauss, Wolfgang and Monika Fleischmann. Between Zero and One BETWEEN ZERO AND ONE (1988) by Monika Fleischmann and Wolfgang Strauss (MFWS) exemplifies generative art by exploring virtual space through systematic computational transformations of 3D
SoleNoid
2009
Composed of glossy white wooden discs and sculptural structures which hold mechanical manipulators that pierce classic black and white tap shoes with ornamental brogue patterns. Each structure holds a shoe inches in the air above a small circular
Das Kapital: Version.07 - 2003
2003
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2017
video
Machinery on the memory line of the configuration file... The 3 levels of images: Foreground-Matte-Background (Front-Back-Matte) The 3 levels of commodities: Sensitive-No-Sensitive-Suprasensitive. Oculus Oracle The labourer is distinguishable only
Grüne Mäuse: Der amerikanische Gen-Künstler Eduardo Kac und sein genetisch manipuliertes Ökosystem "Der achte Tag"
2001
Girst, Thomas. Grüne Mäuse: Der amerikanische Gen-Künstler Eduardo Kac und sein genetisch manipuliertes Ökosystem "Der achte Tag" Frankfurter Rundschau (August 2001): 19.
ATOM
2007
video
Performance for a matrix of 64 illuminated gas balloons and sound A room is filled with deep, evolving noises from a four-channel sound system. An eight-by-eight array of white, self-illuminated spheres floats in space like the atoms of a complex
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