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Critical theory for crypto art: Exploring the impact of non-fungible tokens on the commodification of art in the digital age
2025
Poposki, Zoran. Critical theory for crypto art: Exploring the impact of non-fungible tokens on the commodification of art in the digital age (Apr 2025).
European Media Art Festival 2007: 20 Years of Being Confused
2007
To mark its 20th anniversary, the congress part of EMAF called "D-Fluxx" presented not only a kind of inventory entitled "Media Art History", but also a definition of the current position of Media Art. The film programme focused on the Cuban
[in time time]
2008
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2008
[in time time] is an installation involving large digital prints and two new media works: a split-screen video titled [8-bits], and a context aware, interactive installation titled [ping-pong-flow]. The pieces are bound together by their related
red fungus
2010
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2010
Generative installation, stickers on the floor Supported by: Mondriaan Foundation, Ámsterdam Courtesy: Blue Fungus (of which Red Fungus is a variation) belongs to the collection Stedelijk Museum Amsterdam Red Fungus investigates the relation
LEIKHEN
2018
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2018
Inspired by the composite plant of lichen (from Greek: leikhen), which is the result of a hybrid partnership between a fungus and an alga. The installation is therefore a reflection upon the interaction and mutualistic relationship between two
Four Nights in the Funhouse
2001
Borins, Sara. Four Nights in the Funhouse Saturday Night 116, no. 6 (July 2001): 21-28.
Without Firm Ground – Vilém Flusser and the Arts
2015
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2015
“Ins Universum der technischen Bilder” or “Lob der Oberflächlichkeit“ – with such programmatic titles Vilém Flusser (1920–1991) advanced to become one of the most influential thinkers to deal with communication and media in the 20th century. Flusser
Navigating and Negotiating Sound Architectures of the Night
2016
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2016
On May 17, 2016, in EMPAC’s Goodman Studio, an evocative multi-media black box theatre work was presented that engaged the poetics of night. Ninety-two abstract architectural models interact on a luminous glass-surfaced interface-table to produce a
Berlin-Cyber City
1989
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1990
video
BERLIN-CYBER CITY - VIRTUAL WALKS THROUGH REUNITED BERLIN (1989–90) Berlin-Cyber City was created in response to the fall of the Berlin Wall on November 9, 1989. The work reveals the historical upheaval through virtual walks and initiates a
Prehistoric digital poetry. An archeology of forms 1959-1995
2007
Funkhouser, C.T.. Prehistoric digital poetry. An archeology of forms 1959-1995. Tuscaloosa: University of Alabama Press, 2007.
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