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  • Bio-Mass -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1990 It was created on the PC-based Cubicomp system and then
  • Ryszard W. Kluszczyński, 2011: "Monika Fleischmann and Wolfgang Strauss undertook their joint, creative actions in combined fields of art and science in late 1980s. (...) We can say that the art of Fleischmann and Strauss has developed in parallel
  • Sommerer, Christa and Laurent Mignonneau. HAZE Express In Cyber: criação na era digital, edited by R. Trindade, 7. Lisbon, Portugal: Centro Cultural de Belém, 1999.
  • Hershman, Lynn. Romantisierung des Antikörpers. Gier und Begehren im (Cyber)space In Ich ist etwas Anderes. Kunst am Ende des 20. Jahrhunderts, Kunstsammlung Nordrhein-Westfalen, Köln: DuMont, 2000.
  • Benayoun, Maurice. Cyber Récréation. Ars Electronica 1996 Technicart (1996).
  • Fleischmann, Monika and Wolfgang Strauss. Cyber City Home of the Brain InterCommunication 9 (September 1993).
  • Fleischmann, Monika and Wolfgang Strauss. "Cyber City Flights - East meets West" and "Home of the Brain" Tech Image 6, no. 2 (1993).
  • Sylvia Eckermann In Sylvia Eckermann's work, a discursive engagement with form and media culminates in critical artistic reflections about our entanglement as individuals in current socio-economic situations. Eckermann works with various media
  • Zapp, Andrea. In Search for the Cyber Heroes In Short Film Festival Oberhausen, Festival Catalogue, , 56-58. Oberhausen, DE: 1997.
  • Dyens, Olliver. The Emotion of Cyberspace: Art and Cyber-Ecology Leonardo 27, no. 4 (July/August 1994).