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  • .. his artistic development between research in the humanities, multi-sensory engineering and collaborative practice in the fields of digital art and theatre ..
  • ... be alive (Lee Cronin, 2011). By inserting information in the core of the physical world we confront the conceptualization of life....
  • ... Erich Hörl (quoting Parisi) this culture "constitutes 'the core of the new cybernetic regime of power.'" The process of...
  • ... a web page dedicated to each visitor. The Membrane (2001) — the core of the exhibition Man Transformed — was a large surface breathing...
  • In this essay, media researcher and developer Tiago Martins provides insight into the development process of the mixed-reality archive AR[t]chive during a large research project. The HoloLens based application enables users to explore archived
  • ... logic? The answer is yes, but it's important to focus on the core of the Facebook profiles and see how they are recognized as...
  • .. making visible that which is not before our eyes, that which is not directly evident nor exposed to the view ..
  • ... in the moment by an interplay of the software’s audio active intelligence with the manuallydriven and intuitive mix choices made on... forward for me was to take a step back and reconvene with my coresensibilities and to get back on track with my essential digital...
  • The two internationally renowned media artists and researchers based in Linz/Austria have been active as an artistic couple since the ‘90s and have especially pioneered in the field of interactive media art and exlporations of artificial life.
  • ... Theyhave succeeded in combining the ideas of the artificial intelligence sciences (…)with the outcomes from the Artificial Life... the works,especially the ones that involve evolution as their core principle.Randomness and unpredictability play an important role...