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Bastard Culture! How User Participation Transforms Cultural Production
2011
Schäfer, Mirko Tobias. Bastard Culture! How User Participation Transforms Cultural Production. Amsterdam: Amsterdam University Press, 2011.
user_mode = emotion + intuition in art + design
2003
user_mode is an international, multidisciplinary symposium looking at interactive art and design practices. It examines how creative practitioners engage the emotions of the audience/user. What is meant by emotional engagement? Is it immersion,
ABSTRACT SHOTS
2018
The ABSTRACT SHOTS are some of the outcomes of the BRAIN FACTORY that gave the exhibition spectators in Paris, Seoul, Brisbane and Hong Kong the possibility to become “brain-workers”. Using no hands and no words, they gave a shape to human
Featured Artist Maurice Benayoun
10/2019
.. interested in the poetry and metaphysics of new technologies. He has created a series of award-winning works that probe the expressive power of new technologies to ask questions about the world ..
Hopeful Monsters Exhibition curated by Nic Tobier. Displayed two arms from Autopoiesis
2002
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2002
Event: Hopeful Monsters Exhibition curated by Nic Tobier. Displayed two arms from AutopoiesisInstitution: Fosdick Nelson GalleryComment:
Cracks to Oases
2018
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2018
The book describes my personal observations during the workshop Ingrutatti Palermo as part of ‹Manifesta 12› in July 2018. In the course of these 10 days, I was part of a group of artists and architects from around the world. Sara Kamalvand’s
Perceptual Phenomena and Computer Games / Wahrnehmungsphänomene bei Computerspielen
2001
Meissner, Tobias O.. Perceptual Phenomena and Computer Games / Wahrnehmungsphänomene bei Computerspielen In Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and
2016 Hong Kong and Macao Visual Arts Biennial
2016
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2016
01 / 09 / 2016 - 10 / 09 / 2016, Beijing Minsheng Art Museum 20 / 09 / 2016 - 08 / 10 / 2016, Dunhuang for The Silk Road Dunhuang International Culture Expo 18 / 10 / 2016 - 29 / 10 / 2016, Henan Art Museum Presented by the Ministry of Culture of
Cyberflower
2000
Cyberflower IV, 4. 29" by 23", 2000. Algorithmic pen and ink drawing on paper with artist's studio seal in red. The seal characters read "Little Path Studio" for "Pathway Studio" “Cyberflowers” son flores digitales cosechadas desde el universo
The Living Web
2002
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2002
video
This CAVE-based interactive and immersive installation explores the potential of the world-wide web as interactive and immersice data and information medium. Today information on the Internet is presented in a standard fashion, as defined by the
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