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  • The Tables Turned is preceded by Telematic Dreaming from 1992 and Telematic Vision from 1993. This installation is a continuation of the telematic theme placed within another social context. Dreaming used the bed, Vision used the sofa and The Tables
  • »The Supernova Spectacle« was produced within Ellen Sandor’s Fermilab 2016 residency. During the residency, Sandor and (art)n in collaboration with Fermilab scientists translated research data on neutrinos into the visual artworks at the
  • The Spectrascope -
    The gallery installation of The Spectrascope consists of a large scale projection of the image updating in real-time accompanied by the 'fear frequency'*. This is an audio frequency of 19hz, which is just below the range of normal
  • Presentation of the artist's work at a public show and tell lecture. [source: http://hosted.simonbiggs.easynet.co.uk/right/events.htm]
  • Rajah, Niranjan. The Representation Of A New Cosmology: Immersive Virtual Reality and the Integration of Epistemologies In Invencao: thinking the Next Millenium, Sao Paolo, Brazil: ITAU Cultural, CAiiA, 1999.
  • Helyer, Nigel. The Nomadic Ear in: Sonography, Cartography and the design of Sonic Narratives for Nonlinear Experience. Site of Sound: Of Architecture and the Ear. Vol.2. Berlin: LaBelle, Brandon & Marthino, Claudia, 2011.
  • “The Ten Commandments was renowned for the massive set constructed in California's Guadalupe-Nipomo Dunes -- some pieces stood over 30 metres tall. Worried that rival film studios might use the facsimiles of an ancient palace, massive Pharaoh
  • The Muse -
    “The Muse” 1990 Featured article by noted curator Maurizio Calvesi on Csuri in Art E Dossier primar Italian Art Magazine. The Muse is an example of Csuri’s later work, combining heavy impasto painting with 3D rendering in a technique called “texture
  • The Mechanic of Emotions is an art opera in 15+ parts each part can be a statement, an event, an installation, an object, a concert, a performance, a web site, a business... the Mechanics of Emotions (M-E) try not to tell the story of the
  • »The Magnificent MicroBooNE: Science Through the Art of Jackson Pollock and David Smith« was produced within Ellen Sandor’s Fermilab 2016 residency. During the residency, Sandor and (art)n in collaboration with Fermilab scientists translated