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  • ... and Florian Rötzer, ed. Photography after the Photography. Memory and Representation in the Digital Age. Amsterdam: Art Stock, 1996.
  • ... of the information technology. He became the first professor of New Media Art at the Royal University College of Fine Art in Stockholm in 1999. (http://peterhagdahl.com/index.php/bio)
  • ... In Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfNew York, Wien: Springer, 2001.
  • Paragens
    ...f, Paulo Estellita. Paragens In XXI. Bienal Internacional de Sao Paulo. Exposicao Coletiva de Diana Domingues, edited by Jorge Eduardo Stockler, 207. : Fundacao Bienal de Sao Paulo, 1991.
  • ... In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow?/ Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfVienna, New York: Springer, 2001.
  • ... relics of the world. (www.Digicult.it) Inspired by the Occupy movement, “Occupy Wall Screens” displays in real time the stock valuation readouts of major financial institutions next to emotional currents emanating from Occupy sites around the world. ...
  • ... this theme. Its focus is on everyday phenomena that constantly surround us: the news, the weather, the rates of the stock exchange, the presence of other people. These are measured by for this purpose specifically developed computer-programmes and...
  • ... gestalterische Kreativiät In Takeover - wer macht die Kunst von morgen / Who´s Doing the Art of Tomorrow, edited by Gerfried Stocker and Christine Schöpf, Vienna and New York. : Springer, 2001.
  • ...Event: Moving Images: Technologies, Transitions, HistoriographiesInstitution: Stockholm UniversityComment:
  • ...Event: MoTA at SUPERMARKET Art Fair StockholmInstitution: Supermarket Art Fair StockholmComment: