Archive Search

  • ...Grau, Oliver. Database of Virtual Art In Ars Electronica 2005: Hybrid - Living in Paradox, edited by Gerfried Stocker and Christine Schöpf, 404-405. Ostfildern-Ruit: Hatje Cantz, 2005.
  • ...Hauser, Jens. Taxonomy of an Etymological Monster In Hybrid : Living in Paradox, edited by Christine Schöpf and Gerfried Stocker, 182-193. Ostfildern-Ruit: Hatje Cantz Verlag, 2005.
  • ... social model no2 (sensoric transformation), on Beeoff Hagdahl takes the discussion further. A camera is placed somewhere in Stockholm where it registers motions in traffic and people walking. The registration of the camera is converted to impulses that are...
  • ... this theme. Its focus is on everyday phenomena that constantly surround us: the news, the weather, the rates of the stock exchange, the presence of other people. These are measured by for this purpose specifically developed computer-programmes and...
  • ... Solo exhibitions: ‘The Decapitation of Money’, Kadist Art Foundation, Paris (2010); ‘Headless. From the public record’, Index, Stockholm (2009); ‘Goldin+Senneby: Headless’, The Power Plant, Toronto (2008). Recent group exhibitions include: ‘The Moderna Exhibition’,...
  • ... Timeshift In Ars Electronica 2004: Timeshift: Die Welt in 25 Jahren/ Timeshift: The World in 25 Years, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz, 2004.
  • ...Bruns, Karin. Die schöne Kunst des Spiels In Timeshift. Die Welt in 25 Jahren / The World in Twenty-Five Years, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz, 2004.
  • ...Helsinki, Talinn, Stockholm
  • ...Event: From Television to ImmersionInstitution: Royal University College of Fine Art, StockholmComment:
  • Science + Fiction -
    ...2004 "Science + Fiction" (curated by Stefan Iglhaut and Thomas Spring) Nobel Museum - Stockholm, Sweden