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  • Living Tattoos -
    Throughout human history, people have added to their bodies iconic shapes in a way to look for identity transcendence: from flowers, dragons, snakes and butterflies, to angels and other religious figures. The Living Tattoos project is centered in a
  • Living Tattoos Social Platform
    DOMINGUES, DIANA MARIA G and Eliseo REATEGUI. Living Tattoos Social Platform CHI 2008 Art, science, balance. Urban Mixed Realities (2008).
  • Living Tattoos -
    CHI_Human Computer Interface - ACM
  • Bichicuchitu - video
    Bichicuchitu” is a 3D computer animation inspired by new debates concerning biological productions that challenge definitions of what’s considered distinct species, calling for a reconsideration of notions on alterity. With the aim of reinterpreting
  • Netzspannung. org - an internet media lab for knowledge discovery in mixed realities.
    Fleischmann, Monika and Wolfgang Strauss and et al,. Netzspannung. org - an internet media lab for knowledge discovery in mixed realities. CAST01//Living in Mixed Realities 1, no. 1 (September 2001): 121-129.
  • Which one is true? -
    Reality has become more precious with the advent of artificial intelligence. We are now living in the era of post-truth and is bombarded by fake news and manipulated by social media. With the advent and popularization of artificial intelligence used
  • Mixed Realities in the Living Tattoos Social Platform
    DOMINGUES, DIANA MARIA G and Eliseo REATEGUI and Gelson Cardoso REINALDO and Alexandre LORENZATTI. Mixed Realities in the Living Tattoos Social Platform Urban Mixed Realities: Technologies, Theories and Frontiers, Presence, place, collaboration,
  • Le Livre Imagina: 10 ans d'images de synthese
    Institut National de l'Audiovisuel, ed. Le Livre Imagina: 10 ans d'images de synthese. : INA-Publications, 1990.
  • O Livro depois do Livro
    Beiguelman, Giselle. O Livro depois do Livro. Sao Paulo: Editora Peiropolis, 2003.
  • Gallinero - video
    Gallinero es una obra audiovisual en donde ocho huevos mantienen una conversación que nunca termina. La obra se presenta escenográficamente como un segmento de gallinero arrancado y traído al espacio expositivo en donde cobra vida. El motor de la
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