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  • Konrad Bitterli and James Minnis. Of Shadow & Light, 36p., English. World Wide Video Centre, Den Haag/NL. Berlin: Stop Over Press, 1993.
  • Fleischmann, Monika and Wolfgang Strauss. Shades of Virtuality : From Virtual Reality to Mixed Reality - From Beeing to Becoming Virtualities and Realities Acoustic Space, no. 17 (May 2019): 51 - 57.
  • Basanta, Adam. Shades of Synchresis: A Proposed Framework for the Classification of Audiovisual Relations in Sound-and-Light Media Installations. In Electroacoustic Music Studies Conference 2012, edited by Electroacoustic Music Studies
  • "Shades of Absence: Governing Bodies" was placed into the New Museum, NY, as an uninvited intervention in honor of the NEA residency during the exhibit "NYC 1993: Experimental Jet Set, Trash and No Star"
  • Malani's work is influenced by her experiences as a refugee of the Partition of India. She places inherited iconographies and cherished cultural stereotypes under pressure. Her point of view is unwaveringly urban and internationalist, and unsparing
  • Light from Shadow -
    Event: Light from ShadowInstitution: Ivan Dougherty GalleryComment:
  • This work is based on the concept of the refraction of a triangular prism, playing with the transformation of light and shadow in combination with musical creativity. The result is shared on a cloud database, collecting each part of sharing and
  • Olynyk, Patricia. Lost in Space with Frankenstein's Shadow In Bio/Matter/Techno/Synthetics, edited by Farrow Trubiano/Franca, 304. : Actar Press, 2024.
  • "Body Movies" transforms public space with 400 to 1,800 square metres of interactive projections. Thousands of photo portraits taken on the streets of the cities where the project is exhibited are shown using robotically controlled projectors.
  • "(Perception is) The Master of Space" is a variation of "Very Nervous System". String, hanging from the ceiling at 1/2 meter intervals, was used to establish the edges of the perceptual field of the system's camera and its shadows. The camera