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  • Infiltrate -
    In the center of the room, on a riser approximately 5 feet tall, a square fish tank, bare, approx 2x3x4 feet, spotlit from above. Inside swim 6 fat koi fish, one gold, the others white On one wall the video projector displays a computer animated
  • Infected -
    Infected is about the nature of the physical body in the context of future possibilities, and the new status of the corporeal body seen through dance and digitally manipulated imagery. The new bio-engineered body is still sexual, stark, brutal,
  • Net artist Mark Amerika was born in the American city of Miami. He received a BA from the University of Florida in 1985. In 1997 he was awarded a MFA from Brown University, where he was employed as a creative writing fellow and lecturer for two
  • Susan Narduli is a Los Angeles-based artist and Principal of Narduli Studio – an interdisciplinary design practice with commissions in public art, public spaces, digital installations, light environments, and landscapes. She holds a Bachelor of Fine
  • Fleischmann, Monika and Wolfgang Strauss. Shades of Virtuality In Virtualities and Realities, edited by Rasa Smite and Raitis SmitsVol.Acoustic Space, Vol. 17. ISBN 978-9934-8434-7-1, Riga: RIXC Center for New Media Culture, 2019.
  • J. Rosenbaum is a contemporary figurative artist working in 3D modeling and exploring the boundaries of technology and art. Their most recent work has been in exploring the nature of Non Binary Transness and their own genders and sexuality. Well
  • In the center of the room, on a riser approximately 5 feet tall, a square fish tank, bare, approx 2x3x4 feet, spotlit from above. Inside swim 6 fat koi fish, one gold, the others white On one wall the video projector displays a computer animated
  • Fleischmann, Monika and Wolfgang Strauss. Shades of Virtuality : From Virtual Reality to Mixed Reality - From Beeing to Becoming Virtualities and Realities Acoustic Space, no. 17 (May 2019): 51 - 57.
  • Blow Up - video
    Blow-up is a high resolution interactive display that is designed to fragment a surveillance camera view into 2400 virtual cameras that zoom into the exhibition space in fluid and autonomous motion. Inspired by Antonioni, the piece is intended as a