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OBSERVATORY: MAGNETIC FLUID
2014
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2016
Sound-kinetic diorama exterior: acrylic object in crystalloid like form; interior: relief (3D print), turntable, light, sounddim: 110 x 60 x 60 cm A miniature silver landscape in motion that can be viewed through the observation perforation in the
World Without End
2018
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2019
World Without End Virtual Reality, Commission, Manarat al Saadiyat 2017-18 Overview For Manarat al Saadiyat cultural center program, "Ramadan Arcade", artworks were commissioned that addressed Emirates culture during the holiday season. For this
Arte y archivo. Genealogías, tipologías y discontinuidades
2011
Guasch, Anna María. Arte y archivo. Genealogías, tipologías y discontinuidades. Madrid, Spain: Akal / Arte Contemporáneo, 2011.
Endpiece #79
1990
28. Endpiece, #79, 1990 Open: 6" by 20" Pen plotted drawing. The limited edition of 125 copies, bound in leather, was pulled by hand at the St. Sebastian Press in Minneapolis in 1990. Each copy has original, "one of a kind", tipped in front
Black Box, Black Bloc -On cybernetics, black boxes, Tiqqun, and what it means to have "no demands."
2010
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2010
Event: Black Box, Black Bloc -On cybernetics, black boxes, Tiqqun, and what it means to have "no demands."Institution: New School in New YorkComment:
eMoving Stills
2008
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2008
La Mécanique des émotionsest un grand récit en œuvres: performances, sculptures, installations, machines... eMoving Stills sont comme un film sous-titré dont les photogrammes ponctueraient les étapes, semant les indices d'interprétation d'une
Alba Tirana
Artist: Alba TiranaComment:
Ellen Pearlman, Russia Tiptoes Into New Media, PAJ, MIT Press, Vol. 35, No. 3, p. 49-54, September 2013
2013
Pearlman,Ellen. Ellen Pearlman, Russia Tiptoes Into New Media, PAJ, MIT Press, Vol. 35, No. 3, p. 49-54, September 2013 In PAJ: A Journal of Performance and Art, edited by Bonnie MarrancaVol.35. , 49-54. New York: MIT Press, 2013.
Google Adwords Happenings
2002
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2002
The Google Adwords Happening: how a global happening on Google unveiled the Generalized Semantic Capitalism. “At the beginning of April, a debate took place on rhizome.org mailing list, about how to earn money with net art. It suggested to me an
On Prototypes: Should We Eat Mao’s Pear, Sail Saint-Exupéry’s Boat, Drink with Heidegger’s Pitcher, or Use Nietzsche’s Hammer to Respond to the Crisis?
2013
Kera Denisa. On Prototypes: Should We Eat Mao’s Pear, Sail Saint-Exupéry’s Boat, Drink with Heidegger’s Pitcher, or Use Nietzsche’s Hammer to Respond to the Crisis? In Pedagogies of Disaster, edited by Adam Staley Groves Vincent W.J. van Gerven
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