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Hybrid
Spa
ce
2002
-
2002
This work on lie
s a
nd propaganda completes the “decor” of a Museum from the Soviet era that is nonetheless open to contemporary art. The almost con
sta
nt real/virtual duality blends with that of solitude/multitude. The polar explorer, an isolated
Hybride
spa
ce
2002
-
2002
Event: Hybride
spa
ceInstitution: The
Sta
te Rus
sia
n Museum of Arctic & AntarcticComment:
Frequency and Volume, Relational Architecture 9
2003
-
2003
"Frequency and Volume" consists of between 100 and 800 square metres of projected
sha
dows which allow participants to
sca
n the radio spectrum of the city with their bodies. A
s a
sha
dow appears it tune
s a
ny radio frequency between 150kHz to 1.5GHz
Audiopad
2001
-
2002
Audiopad i
s a
composition and performance instrument for electronic music which tracks the positions of objects on a tabletop surface and converts their motion into music. One can pull sounds from a giant set of samples, juxtapose archived
QUARXS
1994
Event: QUARXSInstitution: ANTENNA CINEMA Festival of TV SeriesComment:
Autotelematic Spider Bots
2006
video
Artificial Life Robotic Sculpture Series The Autotelematic Spider Bots 2006, i
s a
new artificial life robotic in
sta
llation. It consists of 10 spider-like sculptures that interact with the public in real-time and self-modify their behaviors, based
Dog[lab]01
2009
Cadet, France. Dog[lab]01 Antennea 9 (Spring 2009): 23-31.
Art in the Data City
2021
McGarrigle, Conor. Art in the Data City In Digital Art in Ireland, edited by James O'Sullivan, 46-58. New York: Anthem Press, 2021.
Revue Virtuelle - Anthologie du virtuel
1995
-
1995
Event: Revue Virtuelle - Anthologie du virtuelInstitution: Centre Georges PompidouComment:
Smuggling Anthologies Reader
2015
Peraica, Ana, ed. Smuggling Anthologies Reader. Rijeka: MMSU, 2015.
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