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  • McLuhan Today / McLuhan Heute
    de Kerckhove, Derrick. McLuhan Today / McLuhan Heute In Ars Electronica 2005: Hybrid - Living in Paradox, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz, 2005.
  • Emotion Winds, Video Installation
    Benayoun, M.. Emotion Winds, Video Installation FLUX, Metamorphosis of the Virtual 5+5, Digital Art Today Paris-Shanghai (2014).
  • Computer Art: The Future Today
    Event: Computer Art: The Future TodayInstitution: IMéREC (Institut Méditerranéen de Recherche et de Création)Comment:
  • Beirut and Media Art today -
    The artist and lecturer at the Académie Libanaise des Beaux-Arts in Beirut, Ricardo Mbarkho, presented the Media Art scene in Lebanon, in which artists reflect the identity crisis in the context of their sociopolitical and geographic environment.
  • Beirut and Media Art today -
    The artist and lecturer at the Académie Libanaise des Beaux-Arts in Beirut, Ricardo Mbarkho, presented the Media Art scene in Lebanon, in which artists reflect the identity crisis in the context of their sociopolitical and geographic environment.
  • The Port -
    Image: The Port inauguration, Humlegården, Stockholm, 2005 — The Port is a community driven island inside the online 3D world Second Life. The island is open and accessible to Second Life’s 175 000 (Aug 2005) inhabitants and potentially to all
  • E-SCAPE, TODAY!
    Event: E-SCAPE, TODAY!Institution: Seoul Square façade, Media PrismComment:
  • Flat and Distant – China and Slovenia Contemporary Art
    Event: Flat and Distant – China and Slovenia Contemporary ArtInstitution: Today Art MuseumComment:
  • The Earth is Flat – Zemlja je ploščata / Flat and Distant – Ploščato in oddaljeno
    Breda Kolar Sluga and Peng Feng. The Earth is Flat – Zemlja je ploščata / Flat and Distant – Ploščato in oddaljeno UGM, Maribor, 3. 6. – 14. 8. 2016, Today Art Museum, Beijing, 10. 9. – 9. 10. 2016. Maribor: Umetnostna galerija (2016).
  • Art and New Media in Lebanon -
    Ricardo Mbarkho spoke about the emerging artists’ approaches and positions in today’s Lebanese multi-cultural society, where religion, politics, war and post-war environments are always affecting the identity and belonging crisis. The aim of the
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