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(collective) Transnational Temps
International arts collective founded by Verónica Peráles, Fred Adam and Andy Deck, concerned with ecology, sustainability, and media. Since its formation in 2001 it has produced a series of critically acclaimed works and exhibitions under the
Deep Sleep, DVD-ROM/DVD-Video
2004
Del Favero, Dennis. Deep Sleep, DVD-ROM/DVD-Video. iCinema Monograph Series, : iCinema Monograph Series, 2004.
Responsive Workbench
1994
Fleischmann, Monika and Wolfgang Strauss. Responsive Workbench In Visual Proceedings, Annual Conference Series 1994, edited by ACMNew York: ACM Siggraph, 1994.
Machine Experienced Space
1999
W
eibe
l, Peter. Machine Experienced Space Series of Philosophy of Art and Art Theory 14 (1999): 157-171.
The Simulation of Human Intelligence
1993
Broadbent, Donald, ed. The Simulation of Human Intelligence. Wolfson College Lectures Series, Oxford: Blackwell Publishing, 1993.
Digital Art
2008
Paul, Christiane. Digital Art. World of Art Series, New York: Thames and Hudson Ltd., 2008.
Programmed Visions: Software and Memory. Software Studies Series.
2011
Kyong Chun, Wendy Hui. Programmed Visions: Software and Memory. Software Studies Series.. Cambridge: MIT Press, 2011.
The aesthetics of the negative; or the negative dialectics of photography
2010
Peraica, Ana. The aesthetics of the negative; or the negative dialectics of photography Journal of Physics Conference Series 012013, no. 230 (2010).
Myron Turner: Autobiography
1996
DeGrow, Don. Myron Turner: Autobiography Winnipeg Art Gallery Studio Series , no. 28 (1996): 4 pages.
God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series
2010
Chih-Yung, Chiu. God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series https://www.academia.edu/37253134/God_s_Will_or_Human_Desire_The_Irony_and_Criticism_in_Lin_Pey-Chwen_s_Eve_Clone_series.docx.
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