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  • Film as Submersive Art
    Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.
  • Film as Submersive Art
    Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.
  • AN VOGEL -
    Event: AN VOGELInstitution: Palais Thun und TaxisComment:
  • Das Institut für Neue Medien
    Weibel, Peter. Das Institut für Neue Medien In Erlkönigs Erben, Perspektiven der Medienkunst, edited by Sabine Voggenreiter, 75-81. Köln, DE: 235 Media, 1993.
  • The Messenger
    The Messenger is an Internet driven installation based on early proposals for the electrical telegraph, in particular those made by the Catalan scientist Francesc Salvá. It examines the metaphors encoded within technology, especially lost or
  • Alexander Hahn - Werke/Works 1976-2006
    Christoph Voegele and Konrad Bitterli and Sabine Rusterholz and Yvonne Volkhart and Margrit Zuckriegl and Alexander Hahn. Alexander Hahn - Werke/Works 1976-2006. Heidelberg: Kehrer, 2007.
  • Dimitra Vogiatzaki
    Scholar: Dimitra Vogiatzaki
  • Eveline Wandl-Vogt
    Scholar: Eveline Wandl-Vogt
  • Nature -
    I created Design By Numbers during in a time when getting artists and designers to program the computer was just beginning to become in vogue. I spent most of the earlier half of the 1990's espousing the importance of getting beyond the tools, and
  • Romeo & Juliet in Hades -
    Rome & Juliet in Hades is based on the play by Shakespeare. There are two main characters, Romeo and Juliet, in the story and, therefore, this story supplies a good example of multi-person participation. People have a strong desire to act out the
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