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  • Pikapika -
    Meet Pikapika--a character influenced by anime and manga; Japanese pop animation and comics. Pikapika embodies movements from bunraku (puppet theater), a movement vocabulary Tomie Hahn studied while learning nihon buyo (Japanese traditional dance)
  • Storms
    An interactive hypertext piece based on the sefirotic tree of the Kabbalah. "Storms" is organized in vocalic and consonantal bifurcations. To navigate through the poem one is invited to click on a letter at any given time. In some instances,
  • Augmented Interventions: Re-defining Urban Interventions with AR and Open Data
    McGarrigle, Conor. Augmented Interventions: Re-defining Urban Interventions with AR and Open Data In Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium, edited by Vladimir Geroimenko, 115-130. Cham: Springer, 2018.
  • PICO -
    We are working to create a new type of human-computer interface, called PICO, by combining some of the usability advantages of mechanical systems with the abstract computational power of modern computers. Long before modern electronic computers were
  • Back to Back -
    Two people, watching Blind Love Ready Made are sitting, earphones on, in front of their show, generated abstract shapes moving at the rythm of an invisible couple orgasmic vocalizations. This solitary pleasure is only disturbed by the fact to
  • VOCALS AT SIDARTE -
    Event: VOCALS AT SIDARTEInstitution: SIDARTEComment:
  • Franco Mazzucchelli
    Research into the nontraditional materials of sculpture has accompanied my artistic career in the search for the relation between the work and the exhibition site understood as social sphere, architectural context or an urban space. A work of art
  • "Como Vai Você, Geração 80?"
    Various. "Como Vai Você, Geração 80?" Módulo , no. Special Issue (July/August 1984).
  • Film as Submersive Art
    Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.
  • Film as Submersive Art
    Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.
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