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B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg.https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en 2019

...Wittwer, Samuel and Mark Gisbourne, ed. B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und...
B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg.https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en 2019

...Wittwer, Samuel and Mark Gisbourne, ed. B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und...
B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg.https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en 2019

...Wittwer, Samuel and Mark Gisbourne, ed. B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und...
Vis. [un]necessary force_4. Artistic practice and communities immersed in search processes for victims of enforced disappearance in Mexico 2020

...Sanchez Cardona, LM. Vis. [un]necessary force_4. Artistic practice and communities immersed in search processes for victims of enforced...
Artists on Their Art 1968

...Roy, Ascott. Artists on Their Art Art International 12 (1968): 22.
Art as an Alternative to Education, or, The Rise of the Jam Factory 1972

...Ascott, Roy. Art as an Alternative to Education, or, The Rise of the Jam Factory Art (Society of Canadian Artists) 1, no. 3 (1972): 14 - 16.
eConsciousness 2013

... eConsciousness conference catalogue chapter, Central House of Artists. (2013).
eConsciousness 2013

... eConsciousness conference catalogue chapter, Central House of Artists. (2013).
Medi@terra 2002: New Platforms 2002 - 2002

... culture and to demarcate, record and project new standards of artistic expression and communication. (source: www.mediaterra.org)
cast01 // Living in Mixed Realities 2001 - 2001

... be designed as an interplay of technological, social, and artistic forces, as Mixed Realities of Art, Science and Technology....

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