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  • Mechanism Independent, Paul Vanouse, a minima: actual art publication, Spain, vol 10, 2005.
    Vanouse, Paul. Mechanism Independent, Paul Vanouse, a minima: actual art publication, Spain, vol 10, 2005. [].
  • Amy Youngs
    Amy M. Youngs creates biological art, interactive sculptures, and digital media works that explore interdependencies between technology, plants and animals. Her practice-based research involves entanglements with the non-human, constructing
  • Intersections between Communication, Art and Technology - the CAT Study
    Strauss, Wolfgang and Monika Fleischmann. Intersections between Communication, Art and Technology - the CAT Study In New Media Culture in Europe: Art Research, Innovation, Participation, Public Domain Learning, Education Policy, edited by Frank
  • Digital Art / Public Art: Governance and Agency in the Networked Commons
    Christiane Paul. Digital Art / Public Art: Governance and Agency in the Networked Commons In Interface Cultures - Artistic Aspects of Interaction, edited by Christa Sommerer and Laurent Mignoneau and Dorothee KingVienna/London: Springer Verlag,
  • Glitch Ontology
    Amerika, Mark. Glitch Ontology. Portland: Publication Studio, 2016.
  • StellrScope, the Centenary of Canberra’s Science Art Commission
    Barstow, Clive and Eleanor Gates-Stuart. StellrScope, the Centenary of Canberra’s Science Art Commission Imprint, Print Council of Australia Publication 48, no. 1 (2013).
  • Virtual Book -
    Virtual Book : Augmentation of a real book boosted by semantic text analysis. The Virtual Book (2006) The concept of the book as an interactive knowledge structure was inspired by Marvin Minsky's vision from the early 1990s. He said, "Can you
  • Soft Cinema - video
    Initiated by Lev Manovich in 2002, Soft Cinema project mines the new creative possibilities at the intersection of cinema, software culture, and architecture. Its manifestations include computer-driven installations and films, architectural designs,
  • Jody Zellen
    Jody Zellen is a Los Angeles based artist who works in many media simultaneously making interactive installations, mobile apps, net art, animations, drawings, paintings, photographs, public art, and artists' books. She employs media- generated
  • Monumental Attractions: An Archaeology of Public Media Interfaces
    Huhtamo, Erkki. Monumental Attractions: An Archaeology of Public Media Interfaces In Interface Criticism: Aesthetics Beyond Buttons, edited by Christian Ulrik Andersen and Soeren Bro Pold, 21-42. Aarhus: Aarhus University Press, 2011.
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