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  • Andrea Polli
    Andrea Polli is an artist working at the intersection of art, science and technology whose practice includes media installation, public interventions, curating and directing art and community projects and writing. She has been creating media and
  • Atom, Bit, Coin, Transactional Art Between Sublimation and Reification
    Event: Atom, Bit, Coin, Transactional Art Between Sublimation and ReificationInstitution: City University Hong KongComment:
  • Atom, Bit, Coin, Transactional Art Between Sublimation and Reification
    Event: Atom, Bit, Coin, Transactional Art Between Sublimation and ReificationInstitution: Art Machines: International Symposium on Computational Media ArtComment:
  • Invisible Cantilever -
    This project considers the distance between the viewer and what is being viewed. How does technology alter our perceptions of distance, scale, and structure? Technologies for viewing continue to evolve, from the camera obscura to the telescope to
  • Nano-Scape - video
    This nano-scale sculpture is invisible, just like the Nano-world it comments about. While science and media try to capture images of these tiniest of particles in order to understand their properties, Nano-Scape tries to make this Nano-world
  • Quantum Consciousness
    A visual/sonic installation that immerses the viewer in quantum phenomenon. Quantum Consciousness is an audio-visualisation of atomic data which indexes the quantum “movement” of an electron. This project delivers an aesthetic and immersive
  • VR Tour Through the Doomsday Clock
    The piece, being a part of the show “It’s Two Minutes to Midnight,” provides viewers with an educational journey on humankind’s history of de- and re-nuclearization. The show, organized by Weinberg/Newton Gallery in collaboration with the Bulletin
  • William Kentridge: 10 Tapestries -
    ncisively political and profoundly poetic, William Kentridge's protean artistic investigation continues in his beautiful series of tapestries begun in 2001. The tapestries stem from a series of drawings in which he conjured shadowy figures from
  • Have a Nice Day II
    The PHSCologram is a homage to 'Have a Nice Day' produced in 2002 by Ellen Sandor in collaboration with Martyl Langsdorf’ the author of Doomsday Clock, originally designed for the cover of the Bulletin of the Atomic Scientists magazine in 1947. The
  • Have a Nice Day
    The scenery referring to Martyl Langsdorf’s painting "Doomsday Clock Have a nice day" is contrasted with Martyl’s Doomsday Clock which she originally designed for the cover of the Bulletin of the Atomic Scientists magazine in 1947. The “Bulletin”,
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