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  • Lifelike -
    Event: LifelikeInstitution: New Langton ArtsComment:
  • Catherine Richards
    Catherine Richards is a visual artist and professor working in old and new media. She uses installations and participatory strategies to reflect on the idea of technological impact in the body and often uses transparency and electricity as an
  • Journey to the Moon -
    Verzaubert von dem ersten Science-Fiction-Film der Geschichte "Le Voyage dans la Lune" (George Méliès, 1902), schafft der zeitgenössische Künstler William Kentridge mit seinem gleichnamigen Werk eine Hommage an den französischen Experimentalfilmer
  • George Gessert
    George Gessert was born in 1944. Initially he was a painter and printmaker. From 1985 to the present his work has focused on the overlap between art and genetics. His exhibits often involve plants that he has hybridized, or documentation of breeding
  • New Langton Arts
  • ADA_Feature_Sommerer_Mignonneau_author_Zamora.pdf
    SOMMERER &MIGNONNEAUThe Archive of Digital Art, 03/2023Text & Interview by Carla Zamora“A dark room. It contains plants, and there’s a large-format projection in thebackground. A group of astonished individuals are touching the plants –
  • Population Dynamics of Digital Organisms
    Ray, T. S.. Population Dynamics of Digital Organisms In Artical Life II - Video Proceedings, edited by Christopher G. LangtonRedwood City, CA: Addison-Wesley, 1991.
  • The Echoes of Ambiguity within electronic space -
    The Echoes of Ambiguity within Electronic Space - A series of image files produced on a Commodore Amiga computer that were derived from ambiguous compositions of language representation - whilst being abstract yet representational of reality at the
  • Telematic Dreaming - video
    In Telematic Dreaming (1992) a live telematic video installation linking two sites first exhibited at the legendary Koti Exhibition in Kajaani, Finnland, a bed is the medium for high definition images: images of a partner, perhaps many thausands of
  • There`s no Simulation like Home -
    This installation entitled There's no simulation like home is the culmination of artistic telematic research since 1992. The exterior of the installation resembles the back of a plasterboard stage set, or as if the bricks of a house had been
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