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Wirklichkeitsdiffusion. Wirklichkeitserfahrungen in der Kunst zwischen hyperreal und hypermedial
2000
Weibel, Peter. Wirklichkeitsdiffusion. Wirklichkeitserfahrungen in der Kunst zwischen hyperreal und hypermedial In Hypermental. Wahnhafte Wirklichkeit 1950 - 2000 von Salvador Dali bis Jeff Koons, edited by Bice Curiger and Christoph Heinrich,
Der pornographische Blick
1988
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1988
Event: Der pornographische BlickInstitution: Künstlerhaus SalzburgComment:
LATEX EXPOSURE AND ALLERGY
2012
A Gonzalez-Carsolio and AA Velasco-Medina and AL Burbano-Ceron and G Velazquez-Samano. LATEX EXPOSURE AND ALLERGY ANNALS OF ALLERGY ASTHMA & IMMUNOLOGY (NOVEMBER 2012): A82-A82.
ADA_Feature_Eduardo_Kac_Zamora_Mealing_2022.pdf
... Kac and his work is probably one of the
best
examples to demonstrate the closeconnection...
Featured Artist Eduardo Kac
06/2022
Eduardo Kac, pioneer of multiple art genres like Telematic Art, Transgenic Art and Bio Art, guides us through 40 years of radical changes in the body-technology relationship, offering different approaches on how to reflect the boundaries of human
Camera Lucida
2002
Incubator (with Tao G. V. Sambolec)
A 442 Hz.
2013
-
2022
video
Songs of the Revolution “A 442 Hz” is a digital single screen installation by Egyptian media artist Sameh Al Tawil Musicians holding different instruments emerge in front of the steadily focused camera from beyond the screen of the film (hors-champ)
Joelle Dietrick
Joelle Dietrick's paintings, drawings, and animations explore infrastructure, particularly housing, and its manipulation by automated, global economic systems. Her work has been shown at the Museum of Contemporary Art Jacksonville, Transitio_MX in
Ren Fah
Ren Fah - is a media-artist and researcher working in the field of Cultural Studies/ Critical Theory and Analysis. He received his PhD. in 2011 from the University of Applied Arts, Vienna. Within the frame of his PhD. project he conducted research
CHAOS فَوْضَى
2021
-
2022
video
CHAOS [Sonat 1.0, Movement 1.0] is an art project by Sameh al Tawil 2021, which focuses on the visualisation of sound data. The artist is improvising live piano sounds that are developed for a 2D/3D visual/s generation and responses, these produce
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