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Peraica, Ana. The aesthetics of the negative; or the negative dialectics of photography Journal of Physics Conference Series 012013, no. 230 (2010).

Kera Denisa. Do-It-Yourself biology (DIYbio): Return of the Folly of Empiricism and Living Instruments In META-LIFE: Biotechnologies, Synthetic Biology, A-Life and the Arts, edited by Roger Malina & Louise Whiteley Annick BureaudCambridge,

DeGrow, Don. Myron Turner: Autobiography Winnipeg Art Gallery Studio Series , no. 28 (1996): 4 pages.

Chih-Yung, Chiu. God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series https://www.academia.edu/37253134/God_s_Will_or_Human_Desire_The_Irony_and_Criticism_in_Lin_Pey-Chwen_s_Eve_Clone_series.docx.

Dr. Turner, Ming. Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series East Asian Journal of Popular Culture 2, no. 2 (2016): 227-245.

Everitt, Dave. Art as Digital Exploration. Series on Cultural Computing, https://doi.org/10.1007/978-1-4471-7367-0_17 th ed.https://link.springer.com/chapter/10.1007%2F978-1-4471-7367-0_17: Springer, 2018.

Cvetkovich, Thomas. Holography at the Butler Institute of American Art Journal of Physics: Conference Series , no. 415 (2013) 012016 (2013): 1-11.

Mason, Catherine and Paul Brown and Charlie Gere and Nicholas Lambert, ed. White Heat Cold Logic: British Computer Art 1960-1980. Leonardo Book Series, Cambridge, Mass. London, England: MIT Press, 2008.

Joan Truckenbrod, Chair: The Art Gallery: Touchware. ACM SIGGRAPH Electronic Art and Animation Catalogue Computer Graphics Annual Conference Series 1998 ISBN 1-58113-045-7 ISSN 1098-6154 © 1998 ACM Association for Computing Machinery

Ming Turner. Ming Turner, “Quasi-skin and Post-religion: Lin Pey Chwen’s Eve Clone series, 2010-11” “Quasi-skin and Post-religion: Lin Pey Chwen’s Eve Clone series, 2010-11” (2010).