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Uncharted - User Frames in Media Arts [YOU_ser: The Century of the Consumer (ZKM)]
2009
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2009
Event: Uncharted - User Frames in Media Arts [YOU_ser: The Century of the Consumer (ZKM)]Institution: santralistanbulComment:
Anamorph-Lattice
2020
Anamorph-Lattice, 6 black-white family snapshots repeated 30 times are organized by the Voronoi mathematical model so that the images disrupt the frontal perspective viewing, creating altered perspectives reminiscent of 16th and 17th century
Latin American Art of the 20th Century
2004
Edward Lucie-Smith, ed. Latin American Art of the 20th Century. New York: Thames & Hudson, 2004.
Latin American Art of the 20th Century
2004
Edward Lucie-Smith, ed. Latin American Art of the 20th Century. New York: Thames & Hudson, 2004.
THE WHEEL PROJECT. The George R. Gardiner Museum for Ceramic Art
2002
Beesley, Philip. THE WHEEL PROJECT. The George R. Gardiner Museum for Ceramic Art. Toronto: Thistle Printing, 2002.
transmediale.10: futurity now!
2010
Much of 20th century society strove to depict 2010 as a shining example of a future framed by technological progress and social harmony. But as 2010 arrived it was clear that global society was neither the utopia nor the dystopia traditionally
European Media Art Festival 2010: Mash Up
2010
The range of images, films, music and texts on the internet is growing rapidly. All digitally available elements can be used as material to make new collages. For this reason, many artists scour the internet’s servers for raw material to integrate
Machiko Kusahara
Machiko Kusahara is a scholar in media art, digital me
dia c
ulture and media history. She is a professor at Waseda University, Tokyo, and holds a Ph. D. in Engineering from University of Tokyo for her theoretical study on interplay between media
Sensible Concepts: Mediation as a Way of Being
2015
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2015
We are always in partnership with someone or something. The issue is what we are explicit about; who, what we collaborate with. For more than 25 years Patrick Lichty has created work about mediation, networked society, and how that process of
Martin Rieser
Martin Rieser, was visiting Professor Pervasive Media Studio Bristol and Professor of Digital Creativity, at the Institute of Creative Technologies, in De Montfort University, Leicester. In 1990 he began experimenting with permanent digital ceramic
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