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  • Event: Uncharted - User Frames in Media Arts [YOU_ser: The Century of the Consumer (ZKM)]Institution: santralistanbulComment:
  • Anamorph-Lattice, 6 black-white family snapshots repeated 30 times are organized by the Voronoi mathematical model so that the images disrupt the frontal perspective viewing, creating altered perspectives reminiscent of 16th and 17th century
  • Edward Lucie-Smith, ed. Latin American Art of the 20th Century. New York: Thames & Hudson, 2004.
  • Edward Lucie-Smith, ed. Latin American Art of the 20th Century. New York: Thames & Hudson, 2004.
  • Beesley, Philip. THE WHEEL PROJECT. The George R. Gardiner Museum for Ceramic Art. Toronto: Thistle Printing, 2002.
  • Much of 20th century society strove to depict 2010 as a shining example of a future framed by technological progress and social harmony. But as 2010 arrived it was clear that global society was neither the utopia nor the dystopia traditionally
  • The range of images, films, music and texts on the internet is growing rapidly. All digitally available elements can be used as material to make new collages. For this reason, many artists scour the internet’s servers for raw material to integrate
  • Machiko Kusahara is a scholar in media art, digital media culture and media history. She is a professor at Waseda University, Tokyo, and holds a Ph. D. in Engineering from University of Tokyo for her theoretical study on interplay between media
  • We are always in partnership with someone or something. The issue is what we are explicit about; who, what we collaborate with. For more than 25 years Patrick Lichty has created work about mediation, networked society, and how that process of
  • Martin Rieser, was visiting Professor Pervasive Media Studio Bristol and Professor of Digital Creativity, at the Institute of Creative Technologies, in De Montfort University, Leicester. In 1990 he began experimenting with permanent digital ceramic