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  • Virtual Reality Installation with Responsive Workbench. Partially funded by a study grant of the German Academic Exchange Service (DAAD). Developed at the Bauhaus University, Virtual Reality Systems Group, Weimar, Germany.
  • Waking Agents -
    In the age of smart everything, even the personal space of sleep is invaded. The installation consists of a set of six pillows in an immersive environment. Visitors are invited to lay down and nap with a “smart” pillow, attended to by its embedded
  • María Fernández is Associate Professor in the Department of History of Art and Visual Studies at Cornell University and currently serves as Director of Graduate Studies. She received her doctorate in art history from Columbia University in 1993. Her
  • American digital artist. His work has been exhibited at a variety of national and international venues including the Museo Nacional Centro de Arte in Spain; the Laguna Art Museum in Laguna Beach, California; the Museum of Modern Art in New York,
  • Follower -
    Follower is a service that provides a real life follower for day. You sign up, download an app, and wait. You don't know when it will happen. The following lasts one day. At the end, you are left with one photo of yourself, taken by your Follower.
  • 1999 Fondation Cartier pour l'art contemporain Website: http://www.fondation.cartier.fr/verbarium.html (Verbarium is unfortunately offline at the moment due to a service provider change) - Paris, France
  • Artist: Shira ServiceComment:
  • Guardian Angel -
    Guardian Angel is a fictitious corporation that offers a broad range of highly personalized services in exchange for extreme personal surveillance. The installation is made up of three elements: a video projection of a live, fairly invasive video
  • CNN INTERACTIVE JUST -
    ... the internet to augment what is already such a dizzying...
  • Everitt, Dave and Fania Raczinski. Creative Zombie Apocalypse: A Critique of Computer Creativity Evaluation 2016 IEEE Symposium on Service-Oriented System Engineering (SOSE) , no. https://doi.org/10.1109/sose.2016.30 (March 2016).