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  • Event: Dieu est-il plat?Institution: Musée Château d’AnnecyComment:
  • ARTEC 95 -
    Three main categories emerged in ARTEC '95: 1. sculptures and environments emulating life or protolife; 2. portraits and interpretations derived from the world at large; and 3. performances and displays of invented image. The Biennale continued to
  • The 10th Birthday of UpStage was celebrated on 9-10 January 2014 with three performances, a symposium on remote collaboration, a planning meeting and the launch of UpStage v3. The event was supported by CityLink (who provided free wifi), the venue
  • Art critic and curator, essayist, journalist. She founded the website Synesthesie in 1995, the first French-speaking website on art, has carried the project for 20 years (with an online and paper review, exhibitions, a virtual art center, the
  • TRAMUS, MARIE-HELENE and Diana Domingues. Une coopération universitaire sur l?art numérique entre le Brésil et la France : NTAV et INREV In France-Brésil : des jalons pour l’avenir : Repères historiques et prospectifs pour des échanges
  • Türk, Annemarie. 20 Years: KulturKontakt Austria – Artists in Residence: Launching Careers, Building Cooperation Vienna: KulturKontakt Austria (2012).
  • "Thinking about gesture in art, people usually refer to choreography. If the topic is related to IT, instead, usability becomes the issue. But, what about gesture in computer art? Does it mean natural interaction or is it just a matter of
  • Performance by JODI. Short presentations and panel discussion with Annet Dekker, Gabriella Giannachi, and Vivian van Saaze - See more at: http://www.stedelijk.nl/en/calendar/forum/79432#sthash.s37LWTwy.dpuf
  • Hünnekens, Annette. Der bewegte Betrachter. Theorien der interaktiven Medienkunst. Köln: Wienand Verlag, 1997.
  • Weintraub, Annette. Artifice, Artifact, The Landscape of the Constructed Digital Environment Leonardo 28, no. 5 (1995): 365-366.