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Quelques remarques sur la mise en œuvre de l’art participatif for "Le petit livre rouge",
1999
Morice Anne Marie. Quelques remarques sur la mise en œuvre de l’art participatif for "Le petit livre rouge",. Montpellier, France: Frac Languedoc-Roussillon, 1999.
All Digital
2006
-
2006
2006 “All Digital” curated by Margo Crutchfield MOCA Museum of Contemporary Art Cleveland With works by JLynn Hershman Leeson, Charles Sandison, Chri
sta
Sommerer & Laurent Mignonneau, Anne-Marie Schleiner, John Simon, Paul Chan, Leo Villareal -
NFT NOW
2021
-
2021
Curated by Anne
Spa
lter
Dieu est-il plat?
1993
Event: Dieu est-il plat?Institution: Musée Château d’AnnecyComment:
ARTEC 95
1995
-
1995
... Maja
Spa
sova (Sweden), Michael Tolson (U.
S.A
) and Michel Verjux (France).
10 Birthday Celebration
2014
-
2014
The 10th Birthday of Up
Sta
ge was celebrated on 9-10 January 2014 with three performances, a symposium on remote collaboration, a planning meeting and the launch of Up
Sta
ge v3. The event was supported by CityLink (who provided free wifi), the venue
Anne-marie Morice
Art critic and curator, e
ssa
yist, journalist. She founded the website Synesthesie in 1995, the first French-speaking website on art, has carried the project for 20 years (with an online and paper review, exhibitions, a virtual art center, the
Une coopération universitaire sur l?art numérique entre le Brésil et la France : NTAV et INREV
2013
TRAMUS, MARIE-HELENE and Diana Domingues. Une coopération universitaire sur l?art numérique entre le Brésil et la France : NTAV et INREV In France-Brésil : des jalons pour l’avenir : Repères historiques et prospectifs pour des échanges
20 Years: KulturKontakt Austria – Artists in Residence: Launching Careers, Building Cooperation
2012
Türk, Annemarie. 20 Years: KulturKontakt Austria – Artists in Residence: Launching Careers, Building Cooperation Vienna: KulturKontakt Austria (2012).
TBT - Time Based Text
2005
"Thinking about gesture in art, people u
sua
lly refer to choreography. If the topic is related to IT, instead, usability becomes the issue. But, what about gesture in computer art? Does it mean natural interaction or is it just a matter of
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