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  • Vita: Susanne Schuricht is based in Berlin. Her work engages in installations and photography and is about "the perception of seeing." In many of here installations the human scale and interaction are relevant. From 1997 - 2003 she studied
  • Fan, Di’an, ed. Translife. International Triennial of New Media Art. Beijing: The National Art Museum of China, 2011.
  • Fan, Di’an, ed. Translife. International Triennial of New Media Art. Beijing: The National Art Museum of China, 2011.
  • Leach, Neil and Xu Weigo, ed. (IM)MATERIAL PROCESSES: NEW DIGITAL TECHNIQUES FOR ARCHITECTURE, Hylozoic Soil by Philip Beesley. Beijing: China Architecture & Building Press, 2008.
  • Art x-ray
    The 2nd Western China Contemporary Art Biennale, ed. Art x-ray. Beiging, China: ,, 2010.
  • The 2nd Western China Contemporary Art Biennale, ed. Art perspective. Beiging, China: ,, 2010.
  • Pearlman,Ellen. Navin Rawanchaikul, Super China Yishu Journal of Contemporary Chinese Art 8, no. 4 (July/August 2009).
  • I am an Australian Artist and Transdisciplinary Integration Expert Working Across Academia, Cultural and Private Sectors. Focussed on Augmentation Aesthetics, Bio-Digital Entanglement & Interactivity, Food Futures & Sustainability. I currently
  • Benayoun, M.. On Digital Mutations in the Landscape of Chinese Contemporary Art’ On the Road – Young Media Artists in China (2018).
  • THE GREAT WALL 2006 200 artists from 100 Nationen meet at the Great Wall in China Symposium and Exhibition