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  • As viewers walk in front of Make Like a Tree’s projected wall, their shadows are recorded and return to this same image as eerie figures in the foreground and background that move between trees, disappear suddenly, and fade into the distance.
  • 2010 John Curtin Gallery (5 February - 30 April 2010) "Art in the Age of Nanotechnology" Perth International Arts Festival exhibition curator: Chris Malcolm artists: Christa Sommerer (Austria) & Laurent Mignonneau (France); Paul Thomas (Aus) &
  • enter project here:artport.whitney.orgScroll down to the bottom of the code to launch its results.Please adjust your Java Security Settings in order to launch the Programme.Commissioned by the Whitney Museum.
  • Brakelights is a real-time computer system that senses color changes in the environment to make choices from a database of dialogue lines…a live cinema-generating machine. The program reads the color levels in every pixel of every frame in real
  • This series of artworks contemplates the screen and its origins. My time in the villages of Southeast Asia has shown me an array of organic resources that can be formed into papers. I've researched naturally-occurring translucent materials and have
  • Three artists drove Los Angeles' famous Mulholland Drive with five types of sensors--measuring the tilt, direction, altitude, speed and engine sound of the car. The captured data was then used to create an exact 3-D path in a computer, duplicating
  • Brouwer, Joke and Arjen Mulder and Scott et. al. Lash. Making Art of Databases. Rotterdam, NL: NAi Publishers, 2003.
  • Scott, Jill. Paradise Tossed Leonardo Electronic Almanac 2, no. 3 (March 1994): 8-9.
  • Bolas, M.T. and Scott S. Fisher. Head-Coupled Remote Stereoscopic Camera System for Telepresence Applications Stereoscopic Displays and Applications 1256 (1990): 113-123.
  • Fisher, Scott S.. Virtual Interface Environment In Space Station Human Factors Research Review, Volume IV: NASA Conference Publication 2426, Dec. 3-6, Moffett Field, California: NASA Ames Research Center, 1985.