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HIMMEL ÜBER LEIPZIG
1994
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1994
Medienbiennale Leipzig 94 - Minima Media Installationen im öffentlichen Raum Installations throughout the city of Leipzig Fred Fröhlich, Tjark Ihmels, Paul Sermon, Andrea Zapp
Paul Sermon
1989-91 Post-graduate MFA, The University of Reading, Reading, England 1985-88 BA Gwent College of Higher Education, Newport, Wales 1984-85 Diploma in Art & Design, Bedford College of Higher Education, Bedford, England
From Telematic Man to Heaven 194.94.211.200
1997
Sermon, Paul. From Telematic Man to Heaven 194.94.211.200 In Consciousness Reframed, Proceedings of the First CAiiA Research Conference, University of Wales College, Newport, University of Wales College, Newport: 1997.
Project ICC: Telematic Art and the Cartesian Body - A conversation between Paul Sermon, Andrea Zapp and Itoh Toshiharu
1996
Sermon, Paul and Andrea Zapp and Itoh Toshiharu. Project ICC: Telematic Art and the Cartesian Body - A conversation between Paul Sermon, Andrea Zapp and Itoh Toshiharu Intercommunication 16 (1996): 46-51.
Paul Sermon - Holder of ZKM Stipend 1993
1993
Morse, Margaret. Paul Sermon - Holder of ZKM Stipend 1993 .
Paul Sermon in Interview at the Ars Electronica Center Linz
1997
Sermon, Paul. Paul Sermon in Interview at the Ars Electronica Center Linz .
Serpentine Gallery London
bit.flow mk2
2007
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2008
julius popp bit.flow mk2, 2007-2008 Mixed media Courtesy: Dogenhaus Galerie, Leipzig Navigation through the modern world is no longer linear; the thread cannot serve as a model for its description. In bit.flow mk2 dozens of tiny pieces of the
The Edison Effect
1993
The installation ensemble, «The Edison Effect» connects the Ages of Mechanical, Electronic, and Digital Audio-Technologies. Different interactive systems probe the acoustic inscriptions of vinyl discs, and other objects, with the help of laser beams
Solar
2009
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2009
As I mentioned in a previous entry, I am working on an application to be presented at the V&A Decode exhibition opening in December. I was asked to rework the Solar piece so that it could be audio responsive in real-time. During the development,
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